Timo Großpietsch

2018: How do you save the SPD, Germany's oldest party, from complete irrelevance? He thinks he knows: Kevin Kühnert, 29 years young, chairman of the Jusos. He is convinced that the SPD must move to the left.

In a dystopian 2054, three young rebels go on a journey to find traces of the long lost beauty of nature, hoping to discover what happened to their planet.

The global success of disco legends Boney M. has left a lasting impact. But who are the people behind the songs? And what does their success have to do with a recording studio in Offenbach?

North German community journalists: an endangered species. Their Mission: to find and process local stories – and the desperate search for them. Their nemesis: digitalisation. Their everyday business: amateur football, toad migrations and the community bus.

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In 1981, Wau Holland and other hackers established the Hamburg based Chaos Computer Club (CCC). The idiosyncratic freethinkers were inspired by Californian technology visionaries and committed themselves to hacker ethics. All information must be free. Use public data, protect private data. But not everyone followed the rules. Computer technology was still in its infancy and the emerging Internet became a projection screen for social utopias. What has become of them? The story of the German hackers, told by the protagonists themselves in a montage of found video and audio material.

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In the summer of 2023, the band Element of Crime will embark on a week-long tour of Berlin - not just a tour of various concert venues, but also a journey through their own stories and memories, a homage to their city.

Spend a year with a Red Panda named Tashi and experience her life in the forests underneath the Himalayas. Along the way, meet the other rare bird, insect and animal inhabitants of this remote lush area in Northern India, including the leopard. And if cute could get even cuter, meet Tashi's cub...

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In November 2023, right-wing thought leaders, politicians from the AfD, CDU and Werteunion, as well as numerous entrepreneurs, met behind closed doors at the Landhaus Adlon in Potsdam. The topics discussed at the meeting were never intended to be made public. But weeks later, the media company Correctiv published the explosive contents of this conference, as investigative journalists were also present undercover. The revelations caused a stir and triggered the largest protest rallies against right-wing radicalism in the history of the Federal Republic of Germany, with more than three million people nationwide. Suddenly, Germans were discussing a word that hardly anyone had known until then: "remigration." Award-winning documentary filmmaker Volker Heise tells the story in a fact-rich, gripping, and unpretentious way, like a political thriller, bringing together the voices of those who were part of the meeting and those who exposed it to create an illuminating overall picture.

We Were Kings is a documentary about the legendary German grunge band Union Youth. 15 years ago they made it from the province to L.A., and then failed in the most brutal way. Now attempting a comeback as the band "Pictures" with some new members, they face their demons in order to make music once again. A gripping musical drama about drug addiction, responsibility and the power of friendship.

Deconstructed rural pleasure: German documentary film about agriculture and its automation.

Ronald Miehling is a living neighborhood legend. At the end of the 1980s, Miehling was one of the most powerful druglords in Hamburg. Miehling's cocaine business was flourishing and he enjoyed a life of luxury. But the police are always on his trail. A game of cat and mouse begins. At one point, "The Snow King" flees to Colombia, but is eventually caught and convicted. Today Miehling is an open prisoner. He meets up with friends from back then and tries to prepare for life after prison. The film shows an unvarnished picture of the former "Snow King", meeting old companions, friends, detectives and his mother - the inside view of a world that we otherwise only know from the headlines.

A train arrives, the man on the crane looks tired, a little girl draws figures in the sand. A babble of voices in the call center, police officers running to the scene, a ray of light breaks through the darkness in the sewer, fireworks, people dancing in the night. The big city: a gigantic mechanism, always in flux. Every morning anew, people follow their rhythm, looking for space.

Director Alexandra Bidian goes to Romania, the home country of her late father. She invites her mother and sister along to the land where they used to spend their summer holidays, but this time in search of memories. It is her attempt to address and voice things, and her means to understand the man who wrote a lot and spoke very little, and about whom much remains in the dark. When her father came to Germany, he already had a life behind him – including decades of political involvement, which was documented not only by him, but also by the Securitate, socialist Romania’s secret police. Bidian combs through old boxes, reads letters, and peruses files. But instead of answers, she is left with more questions. A road trip to the past, and a letter to her father. Using archival material, family pictures, and interviews with friends and associates, Bidian tries to track down who her father was – and how her own story is intertwined with his life and his actions, as well as with his losses.