Tony Kysh

Dramarama is the name of a British children's anthology series broadcast on ITV between 1983 and 1989. It tended to feature drama of a science fiction or supernatural bent. The series was created by Anna Home, then head of children's and youth programming at TVS, however production responsibilities were divided amongst most of the regional ITV franchise holders. Thus, each episode was in practice a one-off production with its own cast and crew, up to and including the executive producer. Dramarama was largely a place for new talent to prove themselves and was a launching pad for the likes of Anthony Horowitz, Paul Abbott, Kay Mellor, Janice Hally, Tony Kearney, David Tennant and Ann Marie Di Mambro. It was one of Dennis Spooner's last credits. One of Dramarama's episodes, "Dodger, Bonzo And The Rest", gained so much popularity that it was turned in to its own series the following year. It starred Lee Ross and was based around a large foster home. The episode "Blackbird Singing In The Dead of Night" was developed by Granada into the TV series Children's Ward. It was also repeated for the first time since its original broadcast on 5 January 2013, during CITV's 30th anniversary Old Skool Weekend. The Series 7 episode "Back To Front" – notable for featuring a mirror image of the Yorkshire Television logo card at the end – was repeated on 6 January 2013, again as part of CITV's 30th anniversary Old Skool Weekend.

Teenage Billy Stanyon faces the loss of his parents in a sailing accident, only to discover that he was adopted. Billy then sets off on a journey to find his biological parents that takes him across Europe.

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A dramatization of incidents involving Eddie Horner, a factory worker active in union politics radicalized to murder.

As the Cold War bristles with menace in the 60s, the youth at Kielder Workman’s Club celebrate free time with an American dance called the ‘Twist’. But it’s the Faustian pact with industry this brilliant travelogue focuses on first as it maps the path of the River Tyne. The sounds of heavy machinery and graft pitch us into Newcastle’s shipyards and collieries, whilst drugs spin off a machine called Bliss in Winthrop Laboratories’ production-slick war against pain.