Writing
The plot revolves around Fatima, who is troubled by a vision of a mysterious person since her childhood. After 22 years of psychological problems, she wants to confront the vision.
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Set during the Arab-Israeli war of 1967, this epic drama is both the personal story of a middle-class Bahraini family and an account of the hopes and faith the Arab world had in Jamal Abdul Nasser as its leader. Intimately told, it skillfully interweaves the personal and the general to reveal a society built on male domination and female sacrifice, as women attempt to enjoy freedom of choice.
Entrapped within a prison of his own making, a father's outlook and relationship with reality is questioned... Neglecting both his wife and daughter, Jassim lives a separate life to his family within an atmosphere of foreboding. It is only during a chance convergence of circumstances in which he visits the legendary tree of life that Jassim begins to question his understandings.
In Bahraini culture and traditions, the Good Omen is the act of hanging the "thobe al-nashal," a woman's traditional dress, usually reserved for important celebrations, over the roof of one's home as the joyous announcement of the return of a family member from travel, or a long absence.
A man is sitting on a bench in the middle of the desert. The world around him starts to develop and prosper rapidly, deserts turning to pastures and then to modern buildings. The man watches these developments with the change of generations until global wars break out. Eventually, all developments vanish and the scene goes back to the desert
