Jerónimo Rodríguez

Cachitos de hierro y cromo is a Spanish musical-themed documentary program, directed by Jero Rodríguez and hosted by Virginia Díaz. It is an unapologetic musical display of RTVE's sound legacy in the form of performances on the set of programs such as 'Aplauso', 'Galas del Sábado', 'Mapa Sonoro', 'Zona Franca' or 'Los Conciertos de Radio 3'. For nearly 60 years, artists and other specimens have stormed viewers' screens. The result is a polyphony of images and memories that includes everything from James Brown to Camela, from Perales to REM, from Gabinete to Violent Femmes. And so all the time. Our secret weapon has been the historical archive of TVE, the repository of Spanish collective memory for more than half a century.

The life story of María Félix, from her humble beginnings as one of fifteen children to her rise to fame and infamy as one of the most storied Mexican actresses of the 1940s and beyond.

After a night of partying, Vicente is involved in a hit-and-run that kills a man. Vicente claims his innocence, but he was drunk and high. A tangled web of lies buries the truth, making a social scandal disappear — exonerating the real culprit, the son of a powerful politician.

Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.

Daniel and Alejandra, a working class couple in their late 30s, move to the countryside near the Andes Mountains to begin the next chapter of their life together. Alejandra is ill, and Daniel looks after her, his soul mate. He scratches out a living doing farm work, while dreaming of buying his own plot of land. Over the course of a year, director Alejandro Fernández Almendras captures a life of love and frustration as Alejandra’s condition worsens, and Daniel can do nothing but keep on struggling.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

Why do 600 inhabitants of the small southern Spanish town of Coria del Río bear the surname "Japón"? It is the legacy of an unusual expedition that took place 400 years ago: In October 1613, the samurai Hasekura Tsunenaga boarded the galleon "San Juan Bautista" on behalf of the ruler Date Masamune in Sendai, Japan. In addition to merchants, warriors and Spanish sailors, the Spanish Franciscan monk Luis Sotelo, who spoke fluent Japanese, also embarked. The legation wanted to obtain permission from the Spanish King Philip III and Pope Paul V to open a new sea route to India alongside the spice route; in return, Christian missionaries were to be sent to Japan. When he set off, Hasekura Tsunenaga had no idea that the journey would take seven years. Who was this Japanese samurai? What is known about his motives and what is known about the actual background to the expedition?

A droll yet profound exploration of memory, history, forgetting, and, of course, Raúl Ruiz. After seeing a documentary about Portuguese neurologist Egas Moniz while low on sleep, Jorge, a Chilean filmmaker living in Greenpoint, Brooklyn, suddenly remembers visiting a statue of Moniz in a park somewhere in Santiago with his father—who also happens to be a neurosurgeon. Jorge goes on a lengthy exploration of the city of his birth and all the way to Patagonia looking for the statue, all the while pondering memories of his dad and the imaginary territories between his homeland and New York.

Two friends Julio and Gabriel are carrying out research together for a film, a film to tell the true story of an American priest who went to live in the south of Chile after dropping the atomic bomb on Hiroshima.