Yannis Soldatos

A successful young Athenian lawyer, Theodora, who is the daughter of a general, takes on the case of Mantzavinos who is a grocer in Kolonos. Trying to avoid the usual hum-drum approach, she becomes involved with a strange gang with a blind beggar for a leader, Linos, a former teacher, and current idol, of hers, who seems to Theodora like a modern Oedipus. Linos' companion and right-hand man is the former caretaker of the school. The group is completed by two sister-hookers, Anta and Mina, who work in a brothel housed in the school building and who sometimes force Linos to beg for money. The gang is planning a "big score", the theft of the antiquities of Plato's Academy, but Theodora's reluctance, combined with the timely intervention of the police, cancel the plan.

In the early 70s Greek cinema entered in a period of crisis. One of its aspects was said "crisis of issues" and one of the exits heard in the name "erotic cinema". The genre was already acquaintance from the abundance of foreigner films, that was distributed in the grindhouses under the "adults only" motto and its Greek version had a lot of variants.

Margarita works as a flight assistant. Her life is divided between travels and the care of her sick father. When he dies, she decides to make a fresh start to her life. She begins a trip to Northern Greece seeking...

An approach to the phenomenon of Thanasis Vengos, the man and the artist, through film excerpts, testimonies of his collaborators and relatives and analyses of his symbolic role in the post-war modern Greek reality. Thanasis Vengos, for more than fifty years, was one of the most important actors in Greece. His films and lines are written in history, raising more than three generations of Greeks.

A writer, locked in his house, writes about a young man who wanders in Athens and tries its fruits.

A cinematic portrait of director Nikos Koundouros, this documentary explores his artistic journey through the voices of renowned Greek artists, tracing the experiences and influences that shaped his visionary work.

Four women, who have been sterilized and are under constant toxic restraint and surveillance, are serving their term in a government-run brothel. The relations between them are at a critical point; food and water are scarce, their house is rotting and ready to collapse. Nothing on the outside exists any more. Nightmarish visions, simulated miscarriages, injections and nausea all make up their daily routine. Yet their dream – even though they have been sterilized by the State – is to have a child. One day, one of their customers disappears. The interrogation begins...

An everyday family man finds his quiet life disrupted by a shop window mannequin that resembles his long-lost love.

In the mid-80s, Aegokeros publishing house intended to publish a magazine about film and the theater. Theo Angelopoulos and Nikos Panayotopoulos had been chosen by the editorial board for the first issue. A summer evening at Angelopoulos house in the Mati area, Antonis Kokkinos and Yannis Soldatos recorded a three-hour interview between Theo and Nikos, within the frameworks set for them, in order to be included in the magazine. The interview brought to the fore their common course, even though completely opposite from one point onward. Thirty-five years later, the unpublished conversation has been found; both the tapes and the transcripts! This conversation stands as a valuable manifestation of the creators’ views regarding their own, until then, existing and future work, as well as a thorough insight into the New Greek Cinema, and into World Cinema in general.

A song awakens memories of youth to an elderly pensioner suffering from dementia. Longing to reclaim his independence, he leaves the house secretly from his wife and against medical advice. A sudden event subverts their fragile routine, while it rekindles the spark of their long-standing relationship. Can you ever forget love?