Yves Laferrière

An unmarried 18 year-old Amish girl is charged with the murder of her infant child.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

Oscar-winner Colin Firth stars in this heart-warming cross-cultural romantic comedy set in the idyllic South of France. Nimi, a beautiful Nigerian single mother to son Sammy, is under pressure from her family to find a suitable husband and who better than the local Reverend? After making friends with Matthew, a British comic-book writer and one of his heros, Sammy has other ideas. He successfully plots to get them together but they've still a few obsticles to overcome. (from Amazon)

Solitary anarchist, Lucien Brouillard ceaselessly fights for his rights and those of his societal peers. His subversive whistleblower activities will bring him endless troubles, and he will begin a real descent into Hell after his former childhood friend, and now judge, Jacque Martineau.

A 12-year-old girl faces a father she hardly remembers after his transition into a woman.

A revealing look at the great Quebecois director who gave us such classic films as Mon Oncle Antoine, A toute prendre and Kamouraska: Power of Passion. Amidst the rise of French-Canadian identity and the political struggles of the '60s, Jutra was at the forefront of a group of artists dedicated to social change and attacking taboo.

Marcel and Joseph are tireless walkers. Their itinerary is an invitation to discover improbable places and fascinating people. Everlastingly looking for Stanley, Marcel’s only friend, they meet an unlikely crowd of extravagant characters. Each has a story to tell, his hope to share.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

Un homme seul. Une femme seule. Lui, à l'aide de son ordinateur, voudrait désormais pouvoir gérer ses relations amoureuses; elle, de son côté, désire continuer à mener une vie autonome. Philippe et Hélène vivent donc dans une bulle, en solitaires, soignant les blessures d'une relation précédente, jusqu'au jour où ils se rencontrent. C'est le coup de foudre! Mais ils ont si peu en commun, sinon la peur de se faire mal, de décevoir et d'être déçus, de se tromper à nouveau... A single man. A single woman. Him, only wanting to interact with romantic relationships through his computer screen. Her, wanting to have an autonomous life. Phillipe and Hélène live their lives in a solitary bubble, healing their wounds from a previous relationship, until they meet. It's love at first sight! but they have so little in common, except the fear of being hurt, of dissapointing or be dissapointed, of being wrong again...

A woman deals with her mother, an arts professor, plunging into chaos due to Alzheimer's.

Today, Edith is tired of being the favorite spectator of her parents, famous but somewhat outdated singers. She wants to sing too. But just as she decides to take the plunge, familiar demons come to revive her and remind her that there is only one singer in the family. And that she was born after her...

A man and a woman, who are both trying to run away from the banalities of life, fall in love.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.