Leandro Tolchinsky

A documentary that explores the uniqueness of its characters, Chinese migrants from several generations living in Argentina. Stories such as that of Gustavo Ng, a journalist active in the bilateral political conversation, or Federico Chang, who is training to become a professional soccer player.

The resurrection of Zambia's national football team after losing 18 players in a plane crash in Gabon in 1993. A 18-year road of reconstruction until destiny makes its move: in Gabon, Zambia becomes African Champion after a long 18 penalty-shoot-out.

Five challenging young men gather in a closed courtyard. The chords of a rock band emerge from the silence that the siesta emanates. Immutable, they play as time unfolds and loses the stability of the present.

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Three women turn the camera into a tool for expression and play: from the VHS recordings of the ‘80s to the rise of TikTok, the documentary explores how their videos transcend the everyday, reinventing worlds and sharing creativity.

Jack Fuchs is one of the last Holocaust survivors who currently lives in Buenos Aires. With a serene face, relaxed tone and intelligent humor, it is difficult to connect this Pole with that man who was imprisoned for years in concentration camps, including Auschwitz, and who lost his entire family in World War II. Despite the pain, and after 40 years of silence, Jack offers talks and conferences, receives visitors and cooks for his family and friends. Using animation and images filmed by Fuchs himself as resources, the new documentary by Tomás Lipgot composes the portrait of a survivor of the Nazi genocide who, at almost ninety years old, surprises with his lucidity and enchantment.

A one-minute short made for BAFICI (Buenos Aires International Festival of Independent Cinema)

Six characters. The search for oneself and the other. Frustration, intimacy, clumsy attempts to find them. Who are we when the bases of what define us are shaken? Who are we beneath the masks?

The Flying Squadron, a variety theater group, sets out to perform a play with an outside director, beginning with an adaptation of Ubu Roi, setting the plot in a building management office in Buenos Aires. As rehearsals progress, the memory of their previous work, The Tragedy of the Rampant Family—a show presented in eight chapters and marked by self-management and absurdity—leads the group to question its identity.

Moacir has died, but he’s able to live in images and in Tomás Lipgot’s heart. The director cannot abandon his unforgettable character yet, and so he embarks on a farewell that is also some sort of personal journal made with all the warmth and care in the world.

Three couples seem to be having fun at a club night. They laugh between jokes and out-of-place comments. But something seems to be wrong: Andrea can't take it anymore and takes a knife...