Adrian Piotrovskiy

Girlfriends Zoya, Natasha and Asya live in Petrograd. Before the Civil War, young heroines are aware of the social injustice of life. When the war begins, the girls are recorded by the orderlies of the working group to protect the Bolshevik Petrograd from the advance of the whites.

In 1932, thousands of Komsomol members set off for the Far East to build the "city of youth" — Komsomolsk-on-Amur. Among the builders is a saboteur. Soon, fuel depots explode at the new factories in Komsomolsk.

This, the first Soviet depiction of Peter the Great, set the stage for what would become the post-Revolutionary line concerning the early Romanovs. Rulers like Ivan the Terrible and Peter the Great were widely admired for their dedication to Russia and their absolute determination to enhance her position in the world. But praise for the hated later Romanovs conflicted too heavily with the very beliefs that had brought about the Revolution in 1917.

Typically of the heady days of early Soviet cinema, this is constructed according to the fast, sharp editing principles advocated by Eisenstein, complete with symbolic inserts; but in terms of subject matter, it's much less explicitly political than most movies emerging from Russia in the '20s. Chronicling a young sailor's descent into a murky, treacherous underworld of pimps and thieves, after having encountered a Louise Brooks lookalike at a fairground and missed his departing boat, it's a lively moral fable that delights in vivid visual effects and quirky characterisations. If the plot occasionally reveals gaping holes, and the tacked-on ending urging the clearance of the Leningrad slums seems to be rather gratuitous, there's enough going on to keep one attentive and amused.

During harvest festival at a collective farm, a visiting dance troupe reunites a ballerina with her childhood friend Zina. In order to teach her unfaithful husband a lesson, Zina, the ballerina, and the ballerina’s husband decide to swap roles for the evening… Alexei Ratmansky invokes the genius of Shostakovich’s score at the Bolshoi, creating a laugh-out-loud masterpiece with its bits of slapstick comedy, hilarious deceptions, false identities including Principal Dancer Ruslan Skvortsov dressed as a Sylph and its many colorful characters! The Bolshoi bursts with vivid life and bright spirits in Ratmansky’s brilliantly choreographed smash. Captured live on Apr 29, 2012.

Peasant rebelling, pictures of folk anger - here accent that had to put Ivanovo in a new film. The manuscript of novel was found post mortem Pushkin in his papers. The name he did not have and remained unfinished. Intention of "Dubrovskiy" was prompted by an actual incident. A few variants of upshot of novel were saved. Ivanov became familiar with all and wrote it.