Verónica Gerez

Sandro de América is a series of Argentine biographical, musical, dramatic and romantic television broadcasted by Telefe and produced by The Magic Eye, starring Antonio Grimau, Marco Antonio Caponi and Agustín Sullivan, who will perform the famous Argentine singer and composer Sandro en different stages of his life. The series has 13 episodes and debuted on March 5, 2018, broadcasting Monday through Thursday, over three weeks, as a "unique event" television.

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

No description available.

No description available.

Matías dreams of going to study music in Spain. He must convince his girlfriend to join him later and deal with his father's opposition. But the board changes completely when the Falklands war is declared and he is called to fight.

Celina works at a remote tollbooth on a desert road, few days before Christmas, her father dies and Celina becomes a door-to-door encyclopedia saleswoman so she can earn enough money to travel to Italy and find her mom.

Lucas participates in an acting workshop in which everybody has to pretend to be someone else. Each day, a participant disappears without leaving a trace of its existence and Lucas seems to be the only one noticing it. Would they have a different assignment? Could he also mysteriously disappear?

Set in Santa Victoria, Argentina, this 2SLGBTQ+ supernatural docu-drama tells the story of a Wichí community facing displacement, along with their efforts of retaliation, at the hands of a negligent government’s plan for urbanization.

Vero is an unemployed actress rehearsing for an audition, for a job as a TV host in a motocross show in El Garage. Her friend Renata is helping her with her lines and trying to discourage her. What would be considered bad luck in this case? Getting the job or not getting it?

No description available.

No description available.

Four employees assist a genocidal man who is under house arrest because he suffers from Alzheimer's disease. Motivated by boredom, apathy and job precariousness, they find amusement in harassing the oppressor.

Three female friends get together in one of them’s place to wax, and a photographer joins the session to depict the world of waxing. While the wax is boiling in a water-bath, one conversation follows the next and the action develops, as the bond between the four characters will get more and more tense.

As Laura uncovers the secret history of Yenia, the perpetrator of a homicide, admired for her commitment to ideals and her unwavering ethical integrity, she will revisit her own story, her relationship with exile and the world, art, adulthood, and death.

I have to get that world back, to change this one," says Laura. Then she searches among the memories, letters, friends, piano, mountain, snow where she was born, the house where her adoptive grandmother lived (and died): Yenia Dumnova. It is a retrospective search, a historical and affective reconstruction made of fragments, memory, documents, fiction. As she unravels Yenia’s secret story, Laura will recover her own: her relationship with exile, time, family, art, adulthood and death. In this emotional journey, sometimes fictionalized, sometimes narrated by Laura Paredes, the author meets the stories of those who met Yania and remember her with the same wonder and affection as when they frequented her in that convulsive twentieth century.