Marianne Lambert
Production
Known For

Paul, is an ordinary man who divides his life between his shipbuilding company, his wife Elise and their daughter Mia. During a sea trip, Paul finds himself confronted with a strange, unexplained meteorological phenomenon. From then on, Paul shrinks inexorably, without science being able to explain why or be of any help to him. When, by accident, he finds himself a prisoner in his own cellar, and while he is only a few centimeters tall, he will have to fight to survive in this banal environment that has become perilous. During this experience, Paul will find himself confronted with himself, with his humanity, and will try to answer the great questions of existence.
The Shrinking Man

Samuel Salomon, a literature professor, has been off work for almost a year after the tragic death of his girlfriend. Samuel has been suffering from a recurring nightmare in which a woman is brutally murdered in a strange ritual. Suddenly, the same woman who appears every night in his dreams is found dead in exactly the same circumstances. Samuel sneaks into the crime scene and there he meets Rachel who has also dreamed about the murder. Together, they will do whatever they can to discover the identity of the mystery woman, entering a terrifying world controlled by the figures who have inspired artists throughout time: the Muses.
Muse

An idealistic and passionate literature teacher in a suburban Brussels school becomes the target of intense hostility from students and colleagues tied to Islamic extremism when she chooses to help a teenage Muslim girl accused of homosexuality.
Amal

In 1940s Malaysia, European merchant Kaspar Almayer is obsessed with finding a treasure to secure his daughter's future. His dreams fall victim to the pressure of his own greed, which becomes a torment. Compounding this is the oppressive English domination dominating the country – and that which brings ruin to the remote village where he lives.
Almayer's Folly

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.
I Don't Belong Anywhere: The Cinema of Chantal Akerman

After seeing 'Singin' in the Rain', a man decides to give up his peaceful life of happiness to pursue his new dream of tap dancing.
Gone for a Dance

When Gil meets Jacques, their love seems irresistible. And when she unexpectedly falls pregnant, he convinces her to start a family. However, their hasty marriage reveals that she is not as deeply rooted into the Jewish faith as he is. Jacques reassures her: "Think good and it will be good". Little by little, Gil realizes the insidious control he exerts over her life...
Think Good

Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.
Escapada

An in-depth, behind-the-scenes documentary about the making of Chantal Akerman's 2011 film adaptation of Joseph Conrad's book about a merchant, whose dreams of riches for his daughter are shattered by his greed and prejudice.
Autour de La Folie Almayer
In August 2012, Chantal Akerman went scouting in the American South with the idea of shooting a documentary there, inspired by the story of Jake England. A project she ended up abandoning.
My Name is Chantal Akerman

A documentary that is half fiction that follows the secrets behind the suicide of Belgium Director Chantal Akerman and French post nouvelle vague filmmaker Jean Eustache, where they both ended their life on the 5th day but in a different month, and 34 years apart. The film records conversations and confessions with award-winning filmmakers and actors from Beirut, Brussels and Paris as well as a very interesting afternoon with Jean Eustache's Son Boris who tells us everything.