Harris Papadopoulos

The story follows a family of refugees from the early twentieth century through to the Civil War. Through movements, separations, and reunions, personal lives intersect with Greece’s major historical transformations. Space and time are in constant flux, while the characters remain trapped in an unending search for a homeland.

A reporter notices an old man in a border town who may be an important Greek politician who disappeared mysteriously years ago.

It is a story of a normal, everyday Greek family that each member turns out to be wacko or gets wacko by the other members. The father is the stoic figure that accepts everything. The mother has a middle age crisis and takes advantage of her husbands inability. The older brother is a doctor of psychology and has everything under control (or believe so) and the younger brother does nothing with his life acclaiming that he is a filmmaker.

Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.

An actress who shone during the "golden age" of Greek cinema now lives far from the limelight, almost isolated, with only a few friends for company. Her decision to return to the stage, following a proposal from an old colleague, will bring her into contact with younger people, but also with ghosts from the past that haunt her, prompting her to reevaluate her attitude toward her desires and life.

The Alceste (Betty Livanos) is a fifty-year woman with two daughters, who still retains the youthful glow of years. The decision to follow her lover to England resulted completely disrupt relations with Mika (Christiana Matzouranis), her great daughter. When Alcestis decides to settle in Greece, wants to make a new beginning with her daughters. But Mika confronts her icily, and never accepted behavior of her mother. A legacy in Galaxidi addressed Alcestis and her daughters, imposing the coexistence of the family. Only that Mika has decided to send a representative to husband, Marino (Haris Romas), a winemaker ... Behind the aggressive attitude of Marino for the charming mother of hiding a strange eroticism to unforeseen development, which causes many comical situations ...

The night life of Omonia. A combination of fiction and real life.