Massimo My

Featuring the parallel stories of a supersize building project and a jaw-dropping archaeological adventure, Rome Underground takes viewers on an immersive journey deep under the Eternal City — revealing how the construction of a 26-kilometer subway line through Rome has literally unearthed some of the most important discoveries of the modern age.

Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.

In 1061, a handful of Norman mercenaries, led by the son of a noble family from Hauteville-la-Guichard, a village in the Normandy bocage, set foot on the Sicilian coast. Roger de Hauteville and his troops had been commissioned by the Pope to reconquer the island from the Arabs, who had seized it in 831. These fearsome warriors took thirty years to achieve their goal, but when they finally entered Palermo in 1071, their leader became an enlightened ruler. Relying on the high quality of the local Arab administration, particularly in tax matters, he set about building what was to become one of the most prosperous and advanced kingdoms of his time.

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