Patrick Dumont

A small company valiantly struggles to survive under the respectful yet probing camera of Claire Simon in “At All Costs.” As the docu opens, founder and manager Jihad is off to see his banker. The lack of ready cash to pay his loyal employees, wholesale produce providers and a whole range of other creditors, including the tax-gobbling French government, is omnipresent. From a staff of 14, Jihad is down to three cooks, one delivery driver and a secretary in less than six months. The good-natured pluck of the remaining employees is at the heart of the film. Subterfuges for putting up a brave united front include scheduling food orders from a coin-operated pay phone when the office phone is cut off for nonpayment.

Andreï researches the sonic memory of plants. He has developed a technique for making sounds come back from the past. Andreï wants to keep a tight lid on his discoveries.

No description available.

Two boys meet a girl, and the three of them go wandering together; they stop in a house, and there the past mixes with the present. Cannes Film Festival 1973.

A director, his assistant and a female editor get aroused while cutting together an adult feature.