Katia Pascariu

Alina returns to Romania from Germany, hoping to bring Voichita—the only person in the world she loves and was loved by—back with her. But Voichita has found God, and God is the hardest lover of all to best.

On behalf of a multinational company, a production assistant drives around the Romanian city of Bucharest, interviewing various citizens who have been injured due to work accidents to cast one of them in a “safety at work” video.

36-year-old Stela has higher education but unable to keep a job. Since she was 12, she's been in love with a Serbian musician from the former Yugoslavia. One of the musician's alleged mistresses promises Stela that she will help her meet her idol.

Cristina, a mid 30s secretary living in an alienating and hostile Bucharest, is trying to understand what it means being a bills-paying, ready-to-settle, social-ladder-climbing adult while still desperately wanting to be a good child for the single mom that raised her. She is also a character in a novel that a theatre director is turning into a feature. As the actors start setting into the story, their individual backgrounds, social circumstances and personal motivations begin to overlap with the fiction they were offered, making it their own, questioning it and shaping it. The result is what it’s supposed to be: a playful mesh of perceived reality and fabrication.

Emi, a school teacher, finds her career and reputation under threat after a personal sex tape is leaked on the Internet. Forced to meet the parents demanding her dismissal, Emi refuses to surrender to their pressure.

In 1942, three Jewish teenagers were executed in Bucharest. They were accused of distributing banknotes with anti-fascist slogans: «Down with Hitler! Down with Antonescu!» Ten years later, the mother of one of them writes a letter to the Romanian Communist Party in an attempt to clear her son's name. He was not even allowed to say goodbye to his family. Stylized in a retro black-and-white aesthetic, the film by the renowned Romanian director Andreea Vălean presents a monologue by the mother (portrayed by Katia Pascariu). Desperately trying to find the right words, she recounts the story of the cruel murder of innocent young boys, captured on camera.

A grandmother, a mother and her little girl meet at an oriental restaurant to negotiate the girl's transfer to a better school. Because they didn't manage to get the floating act, the grandmother calls her friend from a prestigious school to find out what the transfer possibilities are. After the phone call, the two women have to choose between a disability act, through which the niece will have to simulate a disability, or an ethnicity act which, as a consequence, will lead to the expulsion of a Roma child. Despite the grotesque bargain, the women end their lunch with a Turkish dessert