Stanisław Niedbalski

A group of veterans recount a horrifying experience when trapped in a minefield, resulting in each losing their sight.

The manager of a small provincial cinema finds her lost son, and he tries to save the movie theater.

No description available.

A documentary revolving around the Polish situation on an industrial level at the tail-end of the 1960s: it alternates between stark images at a metallurgic foundry and a board-room meeting among the various executives involved in its management.

On the way to Warsaw after a crude oil fraud in southern Poland, conman Adam Deren meets singer Liza. He decides to invest his money in a venture deemed to be a failure - a small cabaret where Liza could perform.

This documentary explores the changing faces of the old Polish city of Lodz, and how its modernization, both physically and culturally, affects the older, more conservative residents, many of whom lived through World War II and are confused and somewhat resentful at the changes they're seeing.

A documentary about a group of Warsaw tram workers who moonlight in the city orchestra at night.

A traditional Advent mass filmed in a church in the historical town of Spisska Sobota (Northern Slovakia), featuring authentic liturgical texts and songs.

A documentary portrait of elderly women living in a Kraków nursing home, observing daily rituals, illness, and waiting, shaped by recurring symbolic images of time and decline.

On the cusp of adulthood and in search of work qualifications and a better life, Franciszek Wróbel - a baker from a small village on the Czech border of south-western Poland - emigrates to industrial Silesia to join the Voluntary Labour Corps. There he is chosen from all of the applicants to write a diary of his experiences and daily life. Between his vocational courses and training, he struggles to make friends, pass his exams, and maintain relationships with girls.

An impressionistic film about bidding farewell to departing army recruits and the end of freedom.

Warsaw Central Station, 1958. A place of greetings and farewells, an intersection of people from different parts of Poland and Europe. A girl waits in vain, she goes away. Soon the station would belong to the past too.

A documentary portrait of the Kurylewicz Quintet at work in the recording studio, Opus Jazz captures the stop-and-start process of rehearsal before the musicians lock into rhythm and achieve full improvisational flow. Majewski’s film highlights both the discipline and spontaneity of modern jazz in 1960s Poland.

The title pan (‘patelnia’ means pan) is a terrace on Gubałówka, where people can sunbathe even in the middle of winter. ‘Standing in the sunlight, everyone is only what they are’ - convinces the narrator. The sight is breathtaking.

A documentary impression in color showing the attractions of the Łowicz region. With curiosity, the camera captures scenes from a fair and an amusement park. The atmosphere of the place is created by artists wearing national costumes, especially women from Łowicz in colorful skirts.

A small town located right in the middle of Europe, but in reality probably at the end of the world. It is dominated by the depressing atmosphere of the Stalinist era, the still vivid memory of wartime atrocities, and bitter ethnic conflicts. Above all, however, the town has its own secret. Seven years earlier, a bloody pogrom against Jews took place here. Bogdan, the son of one of the victims, tries to uncover the truth. Torn between his father's story and his mother's story, a witness to the madness of Chaimka, a survivor of the pogrom, he flees the hardships of growing up in the "middle of Europe" only to return years later to the cemetery where his parents are buried.

A documentary record of the effort that marathon runners make. The camera focuses on two runners: Benedict Gugala and Marian Jurczynski, who claim victory after 2 hours 37 minutes and 9 seconds.

A portrait of the inhabitants of Jastrzębie (a mining town in Silesia) – young men and women who came there to begin their adult lives. Jastrzębie received municipal rights in 1963, but it is still a huge construction site. Children slide down the heaps of coal, located between the blocks of flats. Young women, dressed in worker jackets, look for their husbands. The life of the inhabitants is subordinated to communicates released by the council of the mine. Working days are about queues and listening to the radio, and days off are about festivals and performances of the mining band. Boxing in the ring and fights in the streets. The directorial debut of Stanisław Manturzewski, a sociologist, journalist, and documentary filmmaker, made in collaboration with Stanisław Niedbalski, a cameraman.

A report from a student’s festival in Kraków. The history of this event dates back to the 15th century in Poland. Statues and knights at Wawel remain unmoved until they fall into the rhythm of joyful fun.

The filmmakers depict the hard-working life of 85-year-old peasant woman Anna Jachimiuk.