Andrzej Titkow

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This film is a sequel to Munk's Zezowate Szczescie and it's much the same, only more so. The film begins in a cinema, where the last scenes of Zezowate Szczescie are being shown. Born unlucky, a victim of the errors and distortions of Stalinism, he is released in 1956. He meets a politically feverish woman, her influential parents, and finally becomes the father of her child. But bad luck, or perhaps an unlucky era, will not let him forget.

During the holidays, a famous actress gets into an affair with a student.

A group of veterans recount a horrifying experience when trapped in a minefield, resulting in each losing their sight.

The year is 1989, and the country's first free elections in a long time are approaching. A man in a cycling cap organizes a chain of clean hands, using it as a tool in his election campaign. In the queue outside the passport office, people chat, make plans, and ponder what's worth selling abroad. Writers observe the world around them. One of them is applying for a passport. In Dzierżyński Square, the monument to Feliks Edmundowicz is being dismantled. Two drunk men sleep on a bench, and behind them is a sign reading: "All is well." The two writers observe the ongoing transformation of the political system.

A young couple leave a lake campsite on motorbike at the same time as a bus full of youths. The boy accidently loses a tent along the road which is picked up by those in the bus who offer a trade of the tent for his girl.

Under the influence of a boy she met, a student rebels against the old man with whom she lives.

The writer Zbigniew takes part in a psychotherapeutic session, during which he tells his story.

The protagonist of "Passerby" is writer and filmmaker Tadeusz Konwicki. His story, which reflects the paradoxes of the 20th century history, is commented by means of fragments of his films, documentary newsreels and stage productions.

Memories about the writer Marek Hłasko.

A record of one day in the life of a chronically ill man. It begins and ends with a fragment from a poem by Horace, who recommends to appreciate every dawn.

Memories of Andrzej Bursa. His friends, acquaintances, wife, and sister talk about him.

A somewhat ironic depiction of life in a small Polish town at the beginning of the 1970s. The local brass band plays in the streets. Girls stroll, younger boys play soccer. Someone is looking at someone with interest, someone is courting someone, someone is parting ways. A poet associated with a local art group writes poems about everyday life.

A bittersweet look at life in a Polish addiction rehab centre

Collective heroes of the film: men, women from across the eastern border. Belarusians, Russians. In Poland they found a chance for a better existence. Many have education, often higher education, but they work on construction sites. Ten hours a day at a time. They are treated as second- or third-class people. They are required to do more than Polish workers, and paid much less. They accept this. They have no choice.

A documentary film about prostitution: conversations with women practicing the world's oldest profession.

A story about Kazimierz in Krakow.

"If God had had more experience with man, he would have created him in Jack's likeness." These words of Lechoslaw Gozdzik, the legendary leader of the Żerań workers in October 1956, may seem blasphemous to many.

The film shows the farewell ceremony for a printer who is retiring.

The film records several images demonstrating the attitudes and behaviors of various people who happen to be sitting on a park bench.