Roman Kasseroller

The members of a diverse vigilante group formed to boost the police's image are put in jeopardy when they stumble upon an unexpected drug deal.

A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ COCOTE follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.

A coastal city in Brazil. Kai arrives from Taiwan for holidays with a broken heart. A broken air conditioner sends her into Fu Ang’s umbrella store. He could become a friend, but the rainy season doesn't arrive and his shop disappears. While looking for Fu Ang, Kai discovers the story of Xiaoxin and a group of Chinese workers in a posh skyscraper. Kai finds herself strangely mirrored in Xiaoxin’s tale.

In 2010, two rival Chinese mafia groups wage a hidden war within a silent, fearful immigrant community. As merchants are extorted and women are trafficked, a small family restaurant becomes the unlikely epicentre of the conflict. With the help of Officer Li and wiretaps in Cantonese, prosecutor Diana Belenguer launches a groundbreaking investigation. But when Xu, a mafia soldier, defies his clan to save a young victim, he becomes a target – hunted by his own brother. What begins as a wiretap case spirals into a high-stakes chase through Argentina’s criminal underworld.

An aging, Argentine, Serge Gainsbourg wannabe struggles to deal with a career he can't seem to get on track, an affair he doesn't want, and a crime he didn't mean to commit.

A housemaid, working in an exclusive gated community in the outskirts of Buenos Aires, embarks on a journey of sexual and mental liberation in a nudist swinger-club boarding the high security walls.

Body-obsessed teenager Lucas and his mystically-inclined older sister, Gilda, unexpectedly become stranded when they travel to a nearly deserted coastal town to try to fulfill their dead mother's last wishes in whatever way they can.

Buildings are not supposed to move. But on Avenida Libertador 2050, a building moves and the ceiling shivers, causing a strange nausea that devours its residents. Those who live on the top are afraid they’ll fall, the ones who live beneath are afraid they’ll drown.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

In an era marked by the reign of fluid relationships, through apps and blind dates, Alejo seeks to fill his sentimental void by constantly changing sex partners.

In the company of housewives, professionals and a retired tennis instructor, Hernán is part of a middle-class community that is preparing for the eventual arrival of the end of the world at a holiday resort in the marshy Tigre delta.

Twelve year old Juana goes to a British school in the outskirts of Buenos Aires, where she fails both socially and academically. A week away from the exams that will determine her future in the institution, she is surrounded by the same routine; going to class and trying to pull her social life back together, with useless attempts in between. Juana goes through these strange days apparently feeling indifferent towards the situation.

The pandemic, images from the past, images in the trash, various animals, a wounded lion boy, musical neighbors singing an old bolero, a medicinal herb vendor making cooking videos. An experimental piece in collaboration with I Acevedo, Paula Trama, and Inés Copertino, commissioned by the Buenos Aires Queer Art Festival.

After her sister goes missing, Sarita, a working-class girl from Guatemala City, travels to the seaside town of Puerto Barrios to infiltrate a group of young gang members. As she risks her life to join the gang, Sarita becomes involved with her sister’s dangerous ex-boyfriend and gets closer to learning what happened to her sister.

The financial problems of a Jewish community are a nightmare for their leader, Rabbi Aaron. Cornered and overwhelmed, Aaron tries a last resort: embark on a trip to the Far East to get donations.

Three brothers, hunters, and heavy metal fans struggle with their issues in the dense Argentinian Patagonia. Meanwhile, the neighboring river threatens their farm with a flooding that can ruin their harvest.

A girl dies in a provincial summer house and is buried by her family. By night a wild dog unearths the corpse and takes it to the woods. Under the shade of the trees, the girl wakes up and decides to return home accompanied by the dog.

Theo tries to reunite with his family. He rearranges his apartment and leaves everything ready for the return of his mother, who will be free again.

A smart and innovative look at the possible futures of a young Chinese immigrant to Buenos Aires, told in the stilted language of an elementary Spanish textbook.

A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.