Hilary Mann

The New York office of the FBI brings to bear all their talents, intellect and technical expertise on major cases in order to keep their city and the country safe.

Mayor Nick Wasicsko took office in 1987 during Yonkers' worst crisis when federal courts ordered public housing to be built in the white, middle class side of town, dividing the city in a bitter battle fueled by fear, racism, murder and politics.

On the eve of a major performance, singer Vivienne receives life-altering news that causes her to reevaluate her priorities. Crisscrossing the busy streets of New York City, she tries to balance her upcoming tour, family, and friends. Through interaction with her overbearing mother, Jeanne, her long-time manager, Ben, and her ex-husband, Nick, Vivienne strives to make peace with the decisions and sacrifices she's made along the way.

Filmmaker Todd Verow revisits his own youth in this film. The film's main character is Joe, who, like the director, grew up in Bangor in Maine. Joe, an 18 year old high school senior who longs to move away from poor white trash roots and this town, and dreams of attending art school, lives with his single mother and older sister Theresa on a notorious council estate called "Capehart Projects". Molested at the age of ten, Joe nevertheless decides to keep the incident to himself. He befriends an elderly disabled artist named Victor who hires him as houseboy/model. Joe moves in with Victor in his loft above the local opera house, hoping to escape Bangor with his help. He also works part time at a local market along with his sister, who wants to get out of town as much as he does. For most of high school, Joe has also had a crush on his best friend, Andrew, who plays on the high school football team.

A couple meets for a romantic dinner, but a minor medical mishap threatens to derail their night