Steven McNicoll

Aziraphale and Crowley, of Heaven and Hell respectively, have grown rather fond of the Earth. So it's terrible news that it's about to end. The armies of Good and Evil are amassing. The Four Horsemen are ready to ride. Everything is going according to the Divine Plan...except that someone seems to have misplaced the Antichrist. Can our heroes find him and stop Armageddon before it's too late?

Created from the novels by award winning crime writer Ann Cleeves, Shetland follows DI Jimmy Perez and his team as they investigate crime within the close knit island community. In this isolated and sometimes inhospitable environment, the team have to rely on a uniquely resourceful style of policing.

The true tale of pioneering 18th century barrister William Garrow, who acted as counsel for the accused, introducing the concept of 'innocent until proved guilty' at London's Old Bailey.

Dr Jim Swire tragically loses his daughter when Pan Am Flight 103 exploded over a small town on 21 December 1988. Travelling across continents and political divides, Swire embarks on a relentless journey that not only jeopardises his stability, family and life, but completely overturns his trust in the justice system. As the truth shifts under his feet, Swire's view of the world is left forever sullied.

Mockumentary comedy series following the life of scottish police officers from different areas of the force in a fly on the wall style.

Legit was a Scottish sitcom produced by The Comedy Unit, written by Robert Florence and Iain Connell and broadcast on BBC One Scotland. The pilot episode aired on 16 September 2006 to much critical acclaim and positive reviews. The first series started on 7 September 2007 with the pilot episode being aired first and then the remaining episodes. The show was shown every Friday night at 9:30pm. In May 2008, the BBC made the decision not to renew the show for a second series. Instead Dear Green Place was renewed.

'The Weepers' is a 30-minute short film that playfully explores Scotland's relationship with the Gothic horror genre. Drawing on a variety of cultural reference points, including Scottish myth, haunted house movies and Doctor Johnson’s trip to the Hebrides, the film is a surreal exploration of Highland culture post-Clearances, where the number of sheep has gradually exceeded that of the human population.

On April 12, 1961, Yuri Gagarin is hurtling through space. Down below, 7-year-old Billy Wilson keeps watching the skies, itching for an encounter with an alien being. When he discovers a mysterious stranger in a house nearby, events take a sinister turn. -GusF

Feed Me is a larger than life fairy tale, part TV talent show, part thriller, video game in which Maclean plays all the parts

Rev IM Jolly at the award ceremony

During WWII unusual experiments take place in a secret military bunker.

Fantastic film about a graphic designer.

Simultaneously sumptuous and gorgeous, garish and grim, this is a re-working of Pinocchio for the neo-liberal era. Rachel Maclean’s dark fairytale, which represented Scotland at the Venice Biennale 2017, depicts a brash and baroque binary world of poverty and riches where the prospect of easy wealth tempts even good boys like Pic into bad ways. But if everyone believes the lie, what’s the problem?

Sophie goes on a killing spree in a candy-coloured world.

An unemployed pirate attempts to find a new job.

David Cairns and Fiona Watson offer a personal, witty and comprehensive study of the Hal Roach era of legendary Hollywood comedy duo Laurel and Hardy, including a film-by-film review of every short subject the team produced in the year 1928.

Frantic knockabout tragedy ensues when Bobo is sent to clown prison for committing a daring but silly crime. Can he escape in time to prevent his family from bringing shame on all clowndom?

A musical take on the story of the infamous Edinburgh graverobbers.

A young mother’s trust in mankind is challenged when she decides to help a stranger while on a journey through the barren landscape of her conflicting emotions and perceptions.

Video essay about the 1928 film 'The Man Who Laughs'.