Hanna Davidson

Underground homage to Easy Rider about two girl bikers with bad attitudes who wind up on the wrong end of evil Cruella's shotgun.

A punked-out, radical deconstruction of the mythology of Elvis Presley colliding fact and fiction in a miasma of feedback, noise, and stoopid Presley impersonators. Der Elvis is literally and metaphorically a postmodern spew of theoretical aesthetics set to the pulsing soundtrack of utterly warped bricolage.