Julio García

Venezuela, the mid-nineteenth century. The polarization between liberals and conservatives marked the political agenda. Inequalities of colonial society kept farmers and slaves under the yoke of the oligarchy. Ezequiel Zamora mobilized by deep ideals of liberty is leading a fight to try to erase social inequalities and distribute land equitably.

The obsession of The Mother for The Negro causes her sick relationship with The Daughter. Mother and daughter perform a daily routine of rites to conjure The Negro's soul. It pushes them into the dolorous tragedy which will consume them.

A thesis on the history, the successes and failures of Venezuelan and Latin American cinema as a whole; demonstrating how little interaction there is between Ibero-American cinema

The film reproduces the historical moment when Cipriano Castro, then president of Venezuela, proclaimed: "The insolent plant of the foreigner has desecrated the sacred soil of the fatherland!" While the coasts were invaded by imperial forces in 1902.

The film tells the story of Fernando Quintero (Gustavo Camacho), revolutionary leader who, after the fall of the dictatorship of Marcos Perez Jimenez, ascends to power, betraying their ideals to become an accomplice of repression against whom he fought.

A wife suspects that the building she lives in hides a secret out of this world.