Cecilia Drott

Johan and Marianne appear to have a stable marriage, but their relationship begins to unravel when Johan reveals an affair. Over the course of several years, the series follows their separation, divorce, and continued interactions as they form new relationships while remaining emotionally bound to one another. Told across six episodes, the narrative traces the changing terms of their intimacy, conflict, and dependency. (Note: This entry covers the 1973 six-part Swedish television miniseries. A condensed theatrical feature assembled from the same material was released separately in 1974.)

A recently divorced man and an emotionally devastated widow begin a love affair.

As Agnes slowly dies of cancer, her sisters are so immersed in their own psychic pains that they are unable to offer her the support she needs.

After a seven-year absence, Charlotte Andergast travels to Sweden to reunite with her daughter Eva. The pair have a troubled relationship: Charlotte sacrificed the responsibilities of motherhood for a career as a classical pianist. Over an emotional night, the pair reopen the wounds of the past. Charlotte gets another shock when she finds out that her mentally impaired daughter, Helena, is out of the asylum and living with Eva.

Karl and Kristina Nilsson work on a farm in a cold and desolate area of 19th century rural Sweden. Growing privations, combined with increasing social and religious persecution, motivate the Nilssons and many of their neighbors to strike out for the United States. Following a treacherous ocean crossing and an equally grueling land passage, the emigrants find themselves in seemingly idyllic Minnesota.

Scripted by Ingmar Bergman, this very personal film is about a destructive affair which wrecks the marriage of an actress (Marianne) and musician (Markus). Wanting to continue the affair, Marianne moves in with her lover. But she is tormented by Markus' decision not to let her have custody of their daughter. Finally Markus announces he may have a solution to the stalemate, but this leads to deception, lies and ultimately, tragedy.

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

In the midst of a civil war, a pair of former violinists in a tempestuous marriage oversee a farm on a rural island. In spite of their best efforts to escape their homeland, the war impinges on every aspect of their lives.

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

A Swedish housewife begins an adulterous affair with an American archaeologist, unaware of his emotional scars as a Holocaust survivor; consequently, their relationship will be painfully difficult.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 four-part Swedish television miniseries. A condensed theatrical feature edited from the same material was released separately in 1976.)

Richard is a medieval nobleman. After his first wife dies in an accident and is buried in the family vault, he remarries and has children by his second wife. A mad longing for his first wife Leonor comes over him, and he sells his soul to the devil for a chance to get her back. But when she returns, she is a murderous vampire.

A Swedish immigrant family struggles to adapt to their new life on the American frontier during the second half of the 19th century amidst civil war, native uprising and the lure of gold in California.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 theatrical feature film (approximately 135 minutes), created by condensing and re-editing the four-part Swedish television miniseries originally produced the same year.)

Based on August Strindberg’s autobiographical novel about his marriage to Siri von Essen. She was married when she met him, but abandoned her husband, became Strindberg’s mistress and later his wife.

Reuniting the characters of Johan and Marianne three decades after "Scenes from a Marriage," "Saraband" follows Marianne’s visit to her reclusive ex-husband, where she finds him locked in a destructive conflict with his troubled son Henrik and Henrik’s musically gifted daughter Karin. Told as an intimate chamber drama, the film explores love, resentment, forgiveness, and the inescapable pull of family bonds.

In 1925, eccentric inventor and Franz Schubert devotee Carl Åkerblom is confined to a psychiatric ward in Uppsala after attempting to murder his fiancée. Obsessed with death, music, and the future of cinema, he joins forces with a fellow patient to create a “living talkie,” an experimental film performance with live-spoken dialogue. As the project unfolds, art, madness, and mortality collide in a tragicomic reflection on creativity and human frailty.

Little Pu spends a summer in Norrland with all his relatives. He and his brother get to hear the story about the watchmaker who hung himself, learns to shoot with a bow and follow his father on a bicycle trip.

On his death-bed, Per Henrik Pistolekors must promise his father two things: first of all to kill king Gustav III, which his father hates. Second, to take his half-sister Annarella to Stockholm to find her a rich and noble husband.

Five conversations frame a flawed marriage in this film written by Ingmar Bergman about his parents. Guilt-ridden wife Anna (Pernilla August) divulges an extramarital affair to a priest, her uncle Jacob (Max von Sydow). He presses her to confess her sins to her husband, Henrik. As the film moves back and forth in time, the notion of truth is tested. Tomas, the lover, and Henrik will find that Anna's confessions do not absolve anyone, and have the power to inflict more pain.