Diana Alvarez

Debbie Ocean, a criminal mastermind, gathers a crew of female thieves to pull off the heist of the century at New York's annual Met Gala.

In a dystopian society where the Capitol forces each district to send two young tributes to fight to the death in a televised spectacle, a girl volunteers to take her sister’s place, setting the stage for a struggle of survival and defiance.

In 1863, Mississippi farmer Newt Knight serves as a medic for the Confederate Army. Opposed to slavery, Knight would rather help the wounded than fight the Union. After his nephew dies in battle, Newt returns home to Jones County to safeguard his family but is soon branded an outlaw deserter. Forced to flee, he finds refuge with a group of runaway slaves hiding out in the swamps. Forging an alliance with the slaves and other farmers, Knight leads a rebellion that would forever change history.

A feature length, eight part documentary that covers everything from pre-production to adapting the source novel to casting to shooting to post and marketing. This is an amazing in-depth piece and it's notable how many women were involved in this production, from several Lionsgate executives to novelist Suzanne Collins herself. Jennifer Lawrence talks about her "hypocrisy" in not wanting to do a big budget blockbuster after having devoted herself to indies (despite X-Men, which she seems to discount somewhat). There's also a nice sequence on the strength and weight training the actors went through and the stunts that are so notable in the film, as well as having to dance around the violence implicit in the story due to the planned PG-13 rating the filmmakers were aiming for.

Director Ross, various cast and crew and members of the Met staff discuss how the film took over the famous museum for its version of the gala. The production received unprecedented cooperation from the historically cautious institution, no doubt due in part to the participation of Vogue and its legendary editor-in-chief, Anna Wintour.