Martín Coria

Argentine re-make of American television series Married... with Children. It follows the Argento family and their lives.

Mark, a hitman haunted by his past as a corrupt Miami cop and the death of his wife and son, prepares for his next killing. Gradually he becomes fascinated by the beautiful prostitute who lives in the next apartment and they embark on a passionate affair. Their dreams of a life together are complicated by her pimp being a drugs baron; before they can escape he must die, but things are never that simple...

A small team of con artists for hire use their skills to solve common people's life problems.

Yago is a 28 year old tough and rude young man raised in the jungle of north Argentina by his father who taught him how to survive in such a wild environment. Although he can read and write, Yago has given up on being educated. Morena is a Peruvian girl in her 20's who has studied in New York and is financially independent. Unfortunately, she's not so lucky in terms of love since she's always picked the wrong man. Morena travels as a tourist to the Iguaçu Falls in the middle of the jungle where she meets Yago. They have a love affair but their relationship doesn't work out because of their marked social and personal differences. She then flies to Buenos Aires to search for her grandfather and in the meantime she gets a job at company called Sireno. At the same time, Yago learns that the man who raised him is not his actual father and that his real family name is Sireno. He travels to Buenos Aires intending to trace back his real family only to find Morena once again.

Set in the late ‘90s, in the height of the privatizations and the increase in poverty, Postman closely follows Hernán, a young man full of illusions that gets a job at the Central Post Office. There, a colleague teaches him the codes of the trade, but the harsh reality will force him to break them.

In 1847 Buenos Aires, a young noblewoman and a young Jesuit fall in love, much to the disapproval of her family and the Church.

A prostitute and her boyfriend and pimp extort money from those who hire the services of prostitutes in a Buenos Aires neighborhood by filming them without warning, but one of their victims turns out to be a powerful French businessman.

No description available.

Miami DEA agent Cliff Adams is in South America working undercover for Gonzalo Reyes, the biggest cocaine exporter in South America. Cliff's fiancée, Janet Meade, is a reporter doing a story about Reyes. Reyes orders Cliff to kill Marcelo Villalba, who is running for his countries position as president, but Cliff can't bring himself to do it, because his assignment from the DEA is to work against Reyes. Reyes is afraid Villalba will put him out of business, and is afraid that Janet's story will do the same thing, so Reyes sends someone else after Villalba, and then Reyes has Janet kidnapped, and Cliff is the only one who can keep Reyes' plans from succeeding.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Facundo is a normal and normal boy, who needs a job to survive. He has just finished high school and is in a critical situation that does not allow him to continue studying. This is how he begins to wander around the city for several days until one morning, through a classified ad, he meets Doctor Benavidez, a man of respectable appearance, who offers him a job in decent conditions. But not everything is what it seems.

This film follows the exploits of a middle aged man as he wanders through Argentina. It is set in the early '80s following the end of Argentina's long military dictatorship and is based on a 1990 novel by Osvaldo Soriano. Only recently returned from European exile, with no family and friends to welcome him home, "the engineer" travels the lonely southern Pampas of Argentina on the way to a job. He is periodically joined by other strange wanderers such as Nadia, the gun slinging psychic, Lem, a strange travelling millionaire, Barante, the hobo, and Coluccini, a bankrupt circus owner who involves "the engineer" in a rigged card game..

No description available.

The Night of the Pencils was a series of kidnappings and forced disappearances, followed by the torture, rape, and murder of a number of young students during the last Argentine dictatorship (known as the National Reorganization Process). The kidnappings took place over the course of several days beginning on September 16, 1976.

Clara and Cecilia are two friends who have evolved very differently, regarding the scary stories that were so important during their childhood.

Buenos Aires, mid-1980s. Ledesma (Darío Grandinetti) is the driver and personal guard of "El Coronel" (Rodolfo Bebán), a mafioso with many contacts in power. He will be attracted to the beautiful woman of his boss (Katja Alemann).

A reporter becomes involved with a band of terrorists hiding in the mountains between Peru and Bolivia.

A ship supposedly loaded with toys from the East, sails to the south coast of Argentina while hiding, inside its false bottom, a deathly load of radioactive residue

The film is a fictional chronicle of a resonant police case that occurred in the city of Catamarca: the crime of the young María Soledad Morales, which had great public repercussion due to the links with the power of the culprits.

Malena is an attractive woman, psychoanalyst of profession and tango dancer by devotion. One night she kills accidentally a man and decides to hide her crime. Days after, she sees in the news the man’s wife and little daughter: he was a policeman. In her plan, Malena meets Carlos, work companion of the dead policeman who is investigating his disappearance. He is of Vasc origin and they call him “the Sabina,” because sometimes he answers using phrases of the songs of the artist. A strange fascination captures Malena with “the Sabina,” the man who has to discover the crime she committed and take her to prison. Since the beginning, the relationship between them is passionate and transgressor, without moral limits.