E.B. Toniolli

The Gunslinger Nobody refuses to suck a bull's cock in Colonel Bajon's zoophilia movie, and a musical hunt begins.

Zombies, beautiful dead girls, newly-dead and a wide variety of colorful and slimy undead invade the West of Santa Catarina, Brazil. Guts roll while "yerba mate" Cronenberg is consumed by the farmers. But the zombies aren't the biggest problem when all the humans are sadistic and selfish.

Two perverted homosexuals stop being gay and become necrophilic and coprophagic killers after one of them cuts his penis off.

A gang of criminals is taken by surprise by colonists contaminated by a drug (tested by the government) that unleashes their murderous instincts.

Tropical SOV is a Brazilian anthology that brings together 23 independent filmmakers who bring to life 21 hilarious, strange and bizarre stories that could only happen in Brazil. From brains that produce cocaine to the incredible human videocassette, including the secrets of synthetic meat, baldness cures, castration of rapists, nihilistic fruits, magical sweets and the poop king of Evangelistão.

Super Chacrinha and Glauber Rocha, two millionaires from the earthly plane of Varathrum, manipulate the people around them, including Deus and the Devil, so that their artistic industrial conglomerates grow.

This was my first attempt at making a movie. It was unabashedly inspired by Edward D. Wood Jr.'s Plan 9 from Outer Space (1959), one of the culprits in making me want to write increasingly meaningless scripts (the other is Jesus Franco). Until the second order, the 20-minute copy of this film, which was never edited, is lost.

It was supposed to be a romantic afternoon on a “deserted” island in the Uruguay River, but a couple of wealthy ecologists had a bad luck because they ended up finding not love and peace, but hungry zombies wanting guts and brains under the command of a priestess. diabolical, and this couple will have to fight for their survival in that place. Parallel to this, a serial killer dressed as an old lady drags a "blonde" from the city to her isolated shed to serve as a victim in her sadistic tortures.

It's a film about the world today, about the need for a revolution, an uprising of the masses against the exploiters, so that the financial system can be completely rethought. It's an anarchist vision of the chaos we need for this change to occur (because anarchism is not mess, it's mutual support and solidarity). Of course, in 4 minutes there's no way to theorize about something so complex, but given the inequalities of today we have to do something, even if it's a short 4-minute short that, perhaps, awakens the inner revolutionary of those who watch (or not ).

A bunch of young people spend a day in the cemetery making gothic poetry and acting evil.

In 1992, a group of teenagers began recording horror films with VHS cameras in Palmitos, in the west of Santa Catarina, Brazil. Led by Santa Catarina director Petter Baiestorf, the production company came to be called Canibal Filmes. Far from large urban centers and in times of stagnation in Brazilian cinema, the group learned in practice how to make low-budget cinema. The films found their own way of financing and showing to the public. Through reports, photographs, documents and videos, the documentary covers Canibal's early years, retracing the group's efforts and challenges in making independent cinema in a region with no cinematic tradition.

Member of the project 13 strange stories.

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Record of the rehearsal of the band Amsanctus in which the actor and film editor from Canibal, E.B. Toniolli, played. The master of the document, lasting about 30 minutes, was not found. The work was partially recovered from the feature "The Cannibals-Mabusiânus also dance Vol. 1" where it had been partially used.

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Baiestorf's experiments with an old TV, a VHS camera and a leaky bucket. filmed in 2001.

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