Paul Hallam

Two disc jockeys have a friend's murder to solve in the fringe-group melting pot of 1977 London.

In 70s Great Britain, a gay teacher is forced to hide his sexuality by day while living his secret life by night.

Caught Looking sees a lonely gay man attempt to explore his sexual fantasies with the help of an interactive computer game, guiding his virtual reality persona through a series of potential encounters (naval rough trade, a moustachioed 'clone', a 50s muscle man) while offering wry commentary on the shifting landscape of queer cruising. But is it love he’s really looking for?

Having spent ten years of his life in prisons, Güney escaped from Isparta Semi-Open Prison in 1981 and went to Paris, where he would spend the last years of his life. The recognition Güney received as a filmmaker in France brought him the Palme D'or at the 1982 Cannes Film Festival for his film "The Road." The documentary builds a bridge between France and Turkey through Yılmaz Güney, tracing his footsteps in Paris, the filming process of "The Wall," the lives he influenced through his political struggle and cinema, and the stories of those who were forced to leave their country after September 12th, who came to France as immigrants, his friends and colleagues, and the life stories of exiled people whose paths somehow intersected with his during this journey.

Ron Peck talks about his experiences of growing up as a gay man, the attitudes to homosexuality in Britain, and his journey towards making his film "Nighthawks".

Tape/slide programme made as part of the East End Festival. It shows the history of cinema and theatre existing in East London, combining a collection of historic photographs and interviews.

Paul Hallam reads from one of his screenplays while the various sex shops and takeaways of Soho, London, provide the imagery. Filmed on a digital video camera and from a single viewpoint in a first floor flat.

Ruhul Amin's quiet, humane dramatic feature explores the conflicting influences in the life of Samir, a 9-year-old Bengali boy growing up in the East End of London.

The Last Biscuit is a film essay on theatre, memory and desire and the “theatre” of the city. It forms part of a changing/developing performance piece Dirty Linen: an Evening with Paul Hallam, staged at various venues, including The Cochrane Theatre, London in 2006.