Jan Jakubal

Miep Gies didn't hesitate when her boss Otto Frank came to her and asked her to hide his family from the Nazis during World War II. For the next two years, Miep, her husband Jan, and the other helpers watched over the eight souls in hiding in the Secret Annex. And it was Miep who found Anne's Diary and kept it safe so Otto, the only one of the eight who survived, could later share it with the world as one of the most powerful accounts of the Holocaust.

Gerta grows up in 1930s Brno in a mixed Czech-German family, which brings her into conflict with her father as he embraces Nazi ideology. Despite this, they remain connected through their shared love of music. During the occupation, Gerta joins the student resistance with her beloved Karel, but the war takes everything from her and leaves her with a dark secret that shapes her future. After the war, though innocent, Gerta is violently forced into the wild expulsion and must leave her hometown with her infant daughter. She survives the hardest years on a rural farm, reunites with Karel, and returns to Brno hoping for a normal life—yet the past continues to haunt her. The two-part TV film Gerta Schnirch offers a personal view of 20th-century history through the fate of a woman caught between two worlds.

Prague 1942. The city is occupied by German troops. As the end of the war and the advancing Russian army comes ever nearer, the Czech chief inspector Beran and his assistant Jan Morava are hunting a serial killer. During his investigation, every step Morava takes is observed by Gestapo man Erwin Buback. Buback’s brief is to report to his Nazi superior Meckerle how closely the Prague police is linked to the Czech resistance movement. Then the Soviet troops reach Prague and in the armed rising against the occupiers even the most innocent become murderers.

No description available.

In this case, Sascha Bergmann from LKA Graz and his colleague Anni Sulmtaler investigate the death of a young woman who is found by the novice Clemens at the foot of a staircase in the monastery library.

Inside a museum, nowadays. A diorama represents two young soldiers in the trenches. All of a sudden, we are thrown into the diorama: the immobile soldiers come to life, there is terror on their faces – the camera dances around them – explosions, chaos, fog: everything flies about in the air. With every gunshot, they shudder and curl up