Octávio Espírito Santo

Set four years after the Portuguese revolution and the simultaneous loss of the Portuguese empire in Africa, the story concerns a director who sells guns to finance his play.

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Martinique, 1942. Rose, a young teacher, is fired from her job by the Vichy regime of Admiral Robert. Rose seeks to leave the island by boat with a group of fellow dissidents. Her plans are thwarted by the landing on the island of a German officer, and her meeting with Jacques Meyer, the captain of the local navy. A strange confrontation between the German officer, Captain Meyer and rebellious Rose then begins.

Don’t Breathe is a dark comedy set in Georgia that follows the tribulations of a middle-aged man, Levan, who is suddenly led to question his existence because of a routine medical examination. It sends him into a downward spiral of paranoia and doubt as he fumbles his way through the theatre of the absurd that we call life. Using humour and a playful tone, the film examines the fragility of human nature, when our bearings get lost and our imagination takes over, highlighting our common fears, doubts, hopes and resilience.

As the summer of 1980 ends, 16 and 17 year old sisters Maria and Alda flee to Lisbon from Angola?s civil war. In the hands of fate, they must learn to live without money in a foreign city. On the edge of the law, the two have to grow up and become women. When the problems are already overwhelming, news comes that makes them unbearable. This blow, however, will give them the push to decide their futures: Alda is going to France and Maria back to Angola in search of her roots.

Cristina is twenty years old. Her father was declared missing in action during the war in Angola many years before. One day in church the girl meets a man about fifty years old who tries various times, unsuccessfully, to make the sign of the cross. The man is called Cristovão. A few days later the two meet again. The man offers to help her look for her father. A relationship based on memories and confessions is formed between them. But soon they each return to their own solitude.

The filmmaker searches for his brother Max, who left his children without explanation. The brothers grew up in the Congo with their white father and Congolese mother. He visits their mother, who still lives in Kinshasa, and their father in Lisbon, as well as the extended family in France and Belgium. His search even takes him to Cambodia where Max was spotted. This fiction film is based on, and uses, the filmmaker's own family.

In 1994, at over seventy years old, Gilberte and William Sportisse, threatened by the FIS, arrived from Algeria. Of Jewish faith, he of Arabic mother tongue, they formed a fighting couple, started for the independence of Algeria, always with an unshakeable faith in humanity. They enjoy recounting the participation of Algerian Jews in the Second World War and the struggle for Algerian independence. They provide us with previously unpublished information on the public and clandestine struggles of the Algerian Communist Party before and after independence, and on the repression of activists who, like William and Gilberte Sportisse, were tortured and imprisoned after Colonel Boumédiène came to power. The film is an ode to understanding between people of different origins or cultures and a tribute to a couple whose youthful character and enthusiasm still astonish.

Guiseppe Verdi’s Requiem is still heard mainly in theatre and concert halls. However, the author himself intended this composition to be performed in church, and on special occasions. Conducted by Teodor Currentzis and performed by soloists and musicAeterna choir and orchestra, Verdi’s famous funeral mass returns from the concert stage to Milan’s Church of San Marco, the same place where it was premiered in 1874. The seven parts of the Requiem become steps on the way to comprehending the sacrament of death, the operatic character of orchestral and vocal writing acquires the strictness of the Catholic tradition, and musical images of rage, despair, and rebellion against the inevitable end are crowned with appeasement.

No description available.

No description available.

During World War II, during a misty morning, near a fishermen's village, four children come across two RAF pilots ejected from a plane that crashed in the sea.

In their transparent house facing the ocean, Georges draws boats and Aline sculpts debris. A violent argument at sea. She wakes up in the hospital, convinced she has killed him. Meanwhile, more dead than alive, he takes in a Japanese woman and her son who are fleeing the man who is tormenting them. Soon, it is Georges who must face the furious and mysterious Japanese man... Back home, Aline finds a body washed up by the sea. Has Georges turned into a Japanese man? A story of love and ghosts.

Documentary about the costume design in Jacques Tati's 1958 film MON ONCLE.

A stowaway attempts to "illegally" enter into Europe. Shortly after he leaves his boat at the port, a black policeman discovers him and chases him through the city. Chaplinesque short film about Fortress Europe.

A man finds a mansion with a strange inhabitant.

No description available.

No description available.