Gine Cornelia Pedersen

After Frank The Fixer Tagliano testifies against his Mafia boss in New York, he enters the Witness Protection Program and makes an unusual demand: he wants to be set up with a new life in the Norwegian small town of Lillehammer or as he calls it, Lilyhammer.

Norwegians' quest for the perfect holiday in the summer house, the constant experience that the dream never becomes a reality and the belief that it certainly will be better next summer.

Three ambitious girls in their 20s—Elise, Alex and Nenne—try to make their dreams come true in Oslo. The girls discover that pretty much everyone, including their parents, have no idea what they're doing with their lives. As they try and break into adulthood, they take comfort in the fact that really we are all just a bunch of fuck-ups doing the best we can.

Set in conservative Norway from the 1970s through the 1990s, chart the rise and fall of a family empire built on adult entertainment - through the VHS boom, censorship crackdowns, and shifting cultural norms.

Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.

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Multiple people learn they're about to witness the last sunrise in history.

The same day that Cecilia and Une meet Leo for the first time, a corpse appears on the beach in Skutebukta. Who is he and what does he have to do with Cecilia’s mother’s death the year before?

Lotte sees her sugar daddy on a date with another woman. Part three of the short film anthology "Sugar".

After a chance encounter with her estranged best friend Petter, who stands accused of rape, Guro is thrust into a harrowing moral dilemma: should she stand by him, risking her own reputation and sense of self, or sever the tie, abandoning someone she once trusted most? MERCY premiered at the 48th Norwegian Short Film Festival, where it won the Golden Chair award for Best Norwegian Short, and it also won Best Short film at the Norwegian film award Amanda. The film’s stark, unflinching narrative examines the fragile line between loyalty and judgment, forcing audiences to wrestle with uncomfortable questions about friendship, stigma, and how quickly trust fractures under accusation.