Tiago Siopa

Ana is spending the holidays with her family. The setting is perfect for relaxation and for wondering. Next to the house, workers are building a pond. Attracted by it, Ana senses a presence, someone familiar yet still unknown. Alexander David captures on screen all the beauty of a childhood self-discovery and the first uncertain steps taken outside of parental control. Evocative and mellow, Water Hazard explores queer identity with a delicate and empathetic eye.

Ara has always believed she will vanish when she turns 28 years old. As her birthday approaches, she submerges in the most fundamental sensations of existence. A masterful debut film from director-writer Ágata de Pinho, whose performance leads her character from trauma to catharsis in the most beautiful way.

On a secluded island lives an autonomous community of children who don’t speak, communicating only in gestures. Guided by the eldest among them, they operate like an agrarian commune with strict rules and beliefs. Adults are banished into the surrounding woods, and every year, the oldest member of the village is sent to jump off a cliff – a ceremony that is believed to bestow eternal youth on the chosen one. This way of life is threatened when one adventurous child heeds the call of the forbidden forest.

In a small apartment in the city, a mother and her son live their own secret and silent routines, sharing these not even with each other. They would like to spend time together, perhaps even talk to each other, but he grows up with animals and planets, whereas she is always elsewhere. The long and circular days push them further inside themselves, but maybe the spark of an unexpected connection can still set them free.

After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.

A study on the uninhabited area of the old railway workers’ district of the village of Setil. The limits in the construction of their history lead us on this journey through the geography of Setil, leaving language behind and plunging into the primary elements. We seek an image of evocation, but also the very construction of the image of the space.