Emilio Baldelli

College is a 1990 Italian comedy television series, based on the 1983/4 film College. It aired on Tuesdays at 20.30 in Italy from March 6 to June 5 1990 for a total of 14 episodes. The episodes were directed by Lorenzo Castellano and Federico Moccia. The music for the series was provided by Claudio Simonetti. The female lead in the series is Federica Moro, Miss Italy, while her male counterpart, and her boyfriend, is Keith Van Hoven. The college featured in the series is located near the Naval Academy in the heart of Tuscany. The show was produced by Reteitalia and had excellent results in the ratings, with a peak of 6 million viewers per episode. It has since been re-run on numerous satellite channels.

Four stories intertwine during summer at Saint-Tropez: a couple tries to recapture their spark; a girl falls for a male stripper she met at a night club; a famous pianist tries to prevent his ex-wife from re-marrying; an unsuspecting suicidal man gives a gorgeous female Mafia hitman a run for her money.

A famous surgeon earns enormous amounts of money by speculating on patients, although he is generally considered a great man and an excellent doctor. Only one of his colleagues rebels against the situation and tries to reveal the truth. But during a dramatic operation, the famous surgeon forces him to turn accomplice and the doctor must keep quiet. Not for long, however.

Young Jim Hawkins finds himself serving with pirate captain Long John Silver in search of a buccaneer's treasure, in this short adaptation of Robert Louis Stevenson's classic tale.

Set in Fascist Italy before the outbreak of World War II, the story centers on Tunin, a farmer turned anarchist who stays in a brothel while preparing to kill Benito Mussolini.

After serving 12 years behind bars for armed robbery, tough guy Hank McCain finds himself the pawn of a ruthless mob runt's rebellion against a high level don. When McCain discovers that he's been betrayed and abandoned by his new employer, he retaliates with a high stakes Las Vegas casino heist that erupts into all-out war on the streets of Los Angeles, San Francisco and New York. Neither blood, nor lust, nor wedding vows can come between McCain and his money ... or his machine gun.

Armando is the daddy, Cristiano is the adult son. Each of them lives his life in a different way respect the other: Armando is an old play-boy and often he "buys" his women with his money; Cristiano is a shy guy who lives in a community with other guys like him. The movie proceeds showing us, ironically, the differences, the different ways to think, to act, to treat the women between father and son.

Voting against the Mafia in what he thinks is a secret ballot costs Sicilian laborer Mimi his livelihood. He leaves his wife, flees to Turin and romances a Communist organizer – but he just can’t shake the Mafia. When they lure Mimi back to Sicily with a better job, he must keep his lover – and love child – under wraps. That’s when his wife announces she’s pregnant.

The death of Sebastian's father engenders in him pathological fears and hallucinations. His death wishes seem to cause horrible accidents, which he is unable to control. When his older brother dies, he feels that he has caused it. He undergoes hypnosis, but his apparent supernatural powers continue. As his own life nears its end, he becomes even more violent and sadistic.

Based on 'Il fu Mattia Pascal', one of Pirandello's many stories concerning the transitory nature of the intangibles "truth" and "identity". Mattia Pascal is a downtrodden average man, treated like trash by his fiancée, scorned by his associates, and cheated out of his inheritance by contemptuous relatives. The dispirited Pascal heads to Monte Carlo, accruing a fortune and also assuming the identity of a less fortunate gambler who killed himself. The "new" Pascal is treated with a dignity and respect that overwhelms him--and nearly kills him.

By day, Ovidio (Joe Dallesandro) and his two friends work at a data center. After work, they blow off steam by committing random acts of savage violence, swiftly graduating from sparking a riot at a football game to vehicle theft, rape, and murder. The police are convinced this recent spate of crimes is politically motivated, but world-weary veteran Commissario Santaga (Enrico Maria Salerno) suspects a far more terrifying explanation: that these young men are motivated by nothing more than boredom and disaffection at civilized society. As Ovidio's behavior escalates, a psychological game of cat-and-mouse ensues between the two adversaries, building towards a shocking final confrontation.

Rome, 70s. Rocco and Antonia, high school students, meet during a political rally. The two young people share age, political ideas, dissatisfaction with their parents. Moreover, by attending, they realize they have fallen in love. It is the discovery of sex and passion. After some time, however, their relationship goes into crisis.

Giovanni and Raffaella are happily married from ten years, but their relationship goes into crisis when Raffaella falls in love with Valerio Mantovani, a handsome forty-year-old man she knew during the concerts of chamber music she weekly attends with her mother.

The film is about an old fashioned Italian with moral values of the 1930/40's , who has to find a wife in the modern, woman's liberated society of Australia of the 1960/70's.

The Roman Catholic Pope is planning a reconciliatory meeting with the head of the Ukrainian Orthodox Church, an event awaited for many generations. But suddenly, right while the Pope is addressing the crowds gathered in the Piazza Navone, a nun is assassinated by a Ukrainian, placing the upcoming talks between the two leaders in jeopardy. And the head of the American diplomatic corps (the nun was an American) assigns the investigation of the killing to one of his underlings, which leads the young man to investigate the Russicum, a center for the study of Russia within the Vatican city. And from there he finds himself caught up in an intrigue of international proportions, filled with agents and double agents, and ending with a revelation most unexpected.

Fresh out prison, Tiberio reconnects with his old partners in crime, Michele Ferribote and Peppe the Panther, only to realise that a lot has changed--including crime--after twenty years. Can he cope with this new reality?

Although he is in his thirties, Orlando still feels like a child. He is terrified of the outside world and is stuck in an obsessive relationship with his mother.

Carlo is a responsible sibling who deals with his black-sheep sister Silvia in this situation comedy. When Silvia returns after many years to attend her mother's funeral, Carlo deals with the fallout caused by her many love affairs. Carlo is convinced to kidnap Silvia's child whom she left in a Hungarian children's home, but she soon abandons Carlo and the baby when she takes up with a British rock star.

During a summer weekend in the island of Panarea, a series of stories of love between the vacationers are intertwined.

A young girl comes to Italy to work as a concierge in a Roman apartment building, where she promptly falls into the amorous clutches of various tenants and shop workers, regardless of their age or sex.