Semih Korhan Güner

Luz, a young cabdriver, drags herself into the brightly lit entrance of a run-down police station. A demonic entity follows her, determined to finally be close to the woman it loves.

After an unexpected phonecall Nihan, the mother of 2 children, has to face a fear she thought she left behind. Her husband Metin who abondened her years ago is suffering from an uncurable desease and comes back to spend his last days with his family.

Anna is pregnant and thinks about castrations. Katinka may not be able to become a farmer and wears her bikini in the milking parlor, but grandma's tomatoes have turned out better this year than ever before. A summer on dying German farms.

The silver screen is a window to the world — and the screen showing live surveillance footage is a window into the movie theater. Jannik is a projectionist. During his shifts, he uses surveillance cameras to keep an eye on the few moviegoers in the auditoriums. In reality, he’d prefer to see himself on the big screen. When he interacts with people, the line between game and reality becomes blurred.

Following an unexpected phone call, two sisters learn that they will have to live together with their grandmother. And they react negatively. Then they try to persuade their mother not to live with the grandmother. Upon this, the mother starts to question her positioning in terms of life and death. On the other, she notices that the love among them has ended.

A young boy finds himself in a dilemma of choosing between social peer pressures or making a moralistic decision.