Alfred Schirokauer

In French Indochina, a magistrate is assigned to investigate the murder of his boss. Unknown to him, the boss had a policy of requiring the wives of his subordinates to sleep with him if they wanted their husbands to get promoted. What he also didn't know was that his wife was in the boss' office when he was killed. Complications ensue.

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Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

The sensitive, music-loving son of a German general reluctantly attends a military academy and after warning a fellow officer to stay away from the cadet's attractive young stepmother, lands up being charged for murder.

a movie by Heinz Paul

In the early 16th century, Italy is ruled by the powerful Borgia family, led by César Borgia and his sister Lucrèce. In a ruthless power play, César plots to have his sister’s husband murdered. But without her brother’s knowledge, Lucrèce has taken a strong lover who will challenge the Borgias.

Reinhold Schünzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.

The Idol of Paris is based on Paiva, Queen of Love, a novel by Alfred Schirokauer. Set in the mid-19th century, the film traces the rags-to-riches story of a girl named Theresa. Sleeping her way to the top, she becomes a highly sought-after Parisian courtesan, one worthy of the attentions of the Emperor Napoleon. But Theresa has no time for the Emperor, not with such virile lovers as Hertz around and about.

A film about the pupils of a posh Berlin gymnasium in their final term, and their class teacher teaching them about humanism and tolerance, a lesson that would be badly needed three years later.

French silent film pioneer Abel Gance directs this 1935 classic about Lucrezia Borgia, her brother, Cesare. and her father, Pope Alexander VI -- one of history's most ruthless and ambitious crime families.

Elisabeth of Austria is a German movie with Lil Dagover as royalty Elisabeth who has many men to choose from.

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The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. The student traces the washerwoman, and he tricks her into confessing what she has done with the baby. Meanwhile, the baby has been adopted by the cab driver and his wife, and has grown into Lili Damita.

No description available.

No description available.

A deranged woman artist falls in love with a young sculptor. The impossible love ends tragically.

Based on the play Henry IV by Luigi Pirandello. Conrad Veidt plays Count di Nolli, a nobleman who, after a head injury, imagines he is the medieval emperor. His friends and relatives choose to play along, dressing up as medieval courtiers, but is di Nolli truly mad, or just pretending? The art direction was by Hermann Warm. It was shot on location in Italy. 6 acts, 1856 meters.

No description available.

No description available.

An exploration of the misery of youth. A student, his friends, and the girl he loves all suffer due to the harsh and unforgiving nature of the adults in their lives.