Saisei Murô

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.

Akako, a shape-shifting goldfish in the form of a coquettish nymphet clad in diaphanous red dresses, naively plays the role of erotic muse and adoring pet for an aging writer seeking greatness. Things quickly get complicated for the odd couple, however, when the writer's deceased former student/lover enters the picture as a ghost and helps Akako realize her own desires, activating her agency and frustrating the one-sided male fantasy the writer is so keen to continue.

The eldest daughter of a rural family Mon returns home from Tokyo pregnant after an affair with a college student Kobata, which causes a scandal that will threaten the marriage prospects of the younger sister San, in her cash-strapped family. The ill-tempered eldest brother Inokichi decides to take on the role of disciplinarian, with harrowing results.

Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.

Period drama based on the novel by Saisei Murō.

Members of a country family react differently to the return of daughter Mon from a town factory.While the men are angry she is pregnant with no husband, the women show kindness.

The Akazas are a blue-collar family living in a working-class neighborhood of Tokyo. Older brother Inosuke is a carpenter who works for his father Shinobu's construction business. Younger sister Momoko is a truckdriver. Passions run high in the Akaza household and the two siblings are constantly bickering. One day, Momoko reveals she had a miscarriage but refuses to say who the father is.

Ino tries to control Mon’s every move, but she becomes a fallen woman, having an affair with a student, Obata whereas her sister San remains a “good girl.” The mother is very supportive of her daughters, but, the father, Akaza, who is the stonecutter foreman on the damn, lacks control of his family.

Hi no Sakana (火の魚, Fish of the Fire) is a Japanese novel by Murō Saisei; it was first published in 1960, and was later adapted into a single episode TV drama that was broadcast on NHK Hiroshima in 2009. The story describes the interactions between an elderly author and a young staffer from a publishing company as they collaborate on a book cover design for the author's latest novel.

Two youths – the serious son of a Buddhist abbot and his rakish pal – quarrel over a restaurant keeper's daughter. When one of the youths dies, the other boy and the girl find they cannot forget him.