Juan Santana

Directed by Alfredo Anzola, Manuel (1979) is a Venezuelan drama that explores themes of love, faith, and resistance. The story follows Aparicio and his wife, Alma Rosa, as they welcome a new priest, Manuel, to their coastal village. As Manuel becomes acquainted with the community, he discovers that the village is slated for demolition to make way for a tourist development. Deeply moved by the villagers' plight, Manuel joins the local fishermen in their struggle to defend their land. During this time, he also finds himself drawn to Alma Rosa, leading to personal and moral dilemmas. The developers, aware of Manuel's growing influence and his feelings for Alma Rosa, begin to monitor his actions closely. The film delves into the complexities of human relationships and the fight against displacement.

Vidal Rojas, an opponent of the dictatorship of Juan Vicente Gómez, after failing in a subversive attempt and suffering a romantic disappointment, decides to enlist in the revolutionary groups in the interior of the country.

In 1969, a wave of discontent swept through Latin American universities. In Venezuela, students set out to fundamentally renew the concept and criteria of teaching. This is their story.

Alexander and her friend Diosa start working in a furniture store, Alexander suspects that the owner is involved in a murky business.

The story of San Fernando de Atabapo, a small, remote town in the Amazon region, where the borders of Brazil, Colombia, and Venezuela meet. A town where more than 20 different nationalities coexist and almost as many languages ​​are spoken. The film explores the relationships that develop among its inhabitants and the reasons that lead them to live in this area despite its difficult economic and political conditions.

An analysis of the history of television in Venezuela, subjected to economic power and market interests. The film explores the messages that television reproduces through its "anchors" and the much-criticised soap operas.