António Durães

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An unlikely love with a happy ending... At age 40, Miguel is at the top of his career as a plastic surgeon, having reached the fame and fortune he worked so hard for. He’s a hopeless bachelor, never committing to any real relationship. This is not just by choice, his situation is a result of never having met his parents and being raised in a children’s home. But, overnight, a simple phone call will change his life entirely, making him recall a point in his life that he’d rather forget. His best friend from the institution was just killed in a car crash along with his wife, but left written instructions behind stating that, if something should happen to him, Miguel should be given custody of his three children, 12-year-old Simão, 8-year-old Jaime and 6-year-old Beatriz. Initially, Miguel will try to dismiss himself from any responsibility but, after meeting the kids, he realizes that he has no choice but to bring them home.

Three generations of a family living together in an idyllic villa juggle the demands of their wedding planning business and their own personal crises.

Sara is a portuguese actress who only works in film and is known for her ability to cry on cue. But one day her eyes dry up just like her interest in cinema. The solution? Soap operas.

Showing reality like it is... What happens when a promising and smart young woman is suddenly called upon to lead he most sophisticated police force in the country. To Ana Belmonte, this is the promotion of her lifetime, to the Criminal Police, this is a shake-up in their deep-seated hierarchy. This young inspector will be confronted with crimes that are tough to crack, where everyone is a suspect and leads can lead to the most unexpected places. But she’ll also have to face the jealousy and anger within her own department, where there are as many allies as there are enemies, and she’s a woman in a men’s world. Having been promoted by her former stepfather and national director Alberto Machado, Ana is going to permanently change the lives of those around her, whether they like it or not.

Despite the hardship, there are those who fight and overcome... Marta is a single mother and a humble woman who’s doing her best to offer her two daughters, Susana e Beatriz, a good life. But when she finds out that her younger daughter has a rare and serious condition, everything changes in this family’s life. Susana decides to seek out Rodrigo, the child´s father and a wealthy man who can afford to pay the much needed surgery abroad. Even though he didn't even know he had a daughter, Rodrigo accepts to pay for the surgery on the condition that he’s granted custody. Marta is then faced with the greatest dilemma in her life: in order to save his daughter, she’ll have to give her up. Rodrigo will end up using Beatriz in an elaborate ploy to get closer to Marta. However, his cousin Gabriel’s return to Portugal will make things difficult for him, as Gabriel will fall in love with Marta, thus turning into Rodrigo's rival.

Gilda is terminally ill. Her only wish is to die without pain, and as all her suicide attempts comically fail, she decides to seek professional help.

The misfortunes of Sofia, the exemplary Madalena and Camila, the troubled vacations of girls and boys, a few years later leading to the resolution of some mysteries, form the perfect trilogy by the Countess of Ségur on education, social, religious, and political power. Desire and its oppression, violence and punishment, in short, the terrible loss combined with inevitable growth. Both adults and children will understand that precepts, rules, and prayers can tear nerves and blood apart.

A fable with people and furrys about the creative industry and the commercial arts.

A story developed in two different narratives which are interlinked. On the first one, the two friends Bruno Nogueira and Gonçalo Waddington (playing themselves) set out on a caravan trip through Portugal with the desire to escape from their daily lives and find a solution for their personal struggles. On the second one, there's the fictionalized making-off of the miniseries itself.

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Reality is much stranger than fiction. There is a scandal that could be revealed and the Portuguese Government is nervous. The Minister of Culture and her team have a crazy idea that, for that reason, can work: to produce, together with Brazil, the biggest and most spectacular telenovela of all time: "Corte Tropical".

During an eclipse in 1984, an iconic gang of armed robbers is dismantled after robbery of the Banco de Portugal. Part of the group is arrested, the other is murdered. Two members are left together. This event is the result of an anonymous call. Who denounced them? “Racing Horses” tells this gang's story, emphasizing the individual motivations that led each member to choose this way of life. As a backdrop, the bathing area of a Portugal about to enter the European Economic Community.

Maria Vitória lives in a remote village in the Portuguese mountains and plays football on the local boys youth team. Determined to become a professional, she devotes all her free time to intense training with her father. Their routine is shaken by the unexpected return of her older brother, who left many years earlier after a tragic fire that took their mother’s life. As she prepares for the most important match of her life, Maria begins to question her father’s authority and gradually seeks a way to break free and take control of her own future.

In a rural landscape, that resembles an old Portugal, an elderly man find out that his wife, whom he believed to be dead, was seen shopping in town. Spiteful and sad, he wants to hide from everyone, but his friends insist that he uses this situation to become stronger and try to get married again.

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Political comedy series about the political advisers of the ministerial cabinets and the opposition and their connivance with economic and political interests that determine how decisions are made.

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No description available.