Mitsue Tachibana

The story of a professional nude model stalked by a bizarre, unknown man wearing a hideous mask.

In postwar Japan, two sisters—a film studio script girl and a revue dancer—become swept up in the growing labor movement when workers around them strike for better conditions. As their conservative father opposes their activism, his own dismissal forces him to confront the realities of class struggle and join their fight for a fairer future. Now considered a lost film, Those Who Make Tomorrow was produced by Toho to promote unionization during Japan’s Allied Occupation.

Teacher Yukiko finds herself in opposition to conservative faculty and villagers after defending a student for being in a relationship with a young man from Tokyo.

In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.

No description available.

Jidai-geki by Kiyoshi Saeki

A married couple looking for an apartment move in with the husband's co-worker, a widower. The husband becomes jealous of the widower and his wife.

A ghost man with his face hidden entirely by bandages is killing beautiful nude models. Detective Kindaichi investigates.

Gangsters Ken and Maki are rivals in the ticket-scalping game. They make an uneasy truce, but Ken wrecks the truce by agreeing to fix a boxing match in which Maki has an interest in one of the fighters. After a terrible brawl, the two gangsters discover that they have both been played for suckers by their bosses. They join forces to turn the tables on the bosses.

Mikami, a Japanese soldier, is captured by Chinese forces. Although able to escape, he is treated with contempt by his peers. After falling in love with a prostitute named Harumi, she convinces him to desert the army and live with her.

A film by Kiyoshi Saeki

Living in a house that has lost its man to the war a year earlier are the widow and her child. Four of the dead man's friends gather to have an anniversary wake. Some time following the ceremony one of the attendees marries the widow. Soon another friend of the deceased and his family also make the house their home when they move to town. Everyone's life is changed quite a bit. When the newer husband sustains an injury to his leg and loses his job it leads to the wife having to work. By the time the fifth anniversary of the friend's death occurs and another reunion is held another friend is in love with the former widow.

University students Sudo and Mori make money by picking up rich girls in dance clubs and conning them into giving them cash. Mori is the brains of the operation, and Sudo is the suave dancer who picks up the girls. Sudo becomes gradually involved with three different girls and is drawn into the gangster milieu, which he seems unable to resist even though he is responsible for his mother, grandmother, and sister Masako. In this world of bad boys and girls, Masako is the pillar of strength and moral virtue who finally enables Mori to straighten out.

A woman remarries after receiving official notification that her husband has died, but he returns.

Set during Japan's Bakumatsu period, the film follows Fukuzawa Yukichi, a poor samurai's son who defies societal norms to study Dutch and English. Despite facing opposition from his family and nationalist factions, he founds Keio University, becoming a key figure in Japan's modernization amid political turmoil.

No description available.

Girls in the Orchard (1953) is about tension between the life of a family in a rural area with all the traditions (continuing family business, taking care of the land)-- and the modernity and lure of a life in the city.

A motley cast of characters, including a human billboard and a shoeshine girl, help a 5 year old girl after she is separated from her mother on the crowded streets of Ginza.

With his simple appearance, eyes shining with love and a sense of justice, and voice burning with youthful passion, the eleven students felt unexpectedly in each other's hearts that "this teacher will surely be our confidant," and looked at each other and nodded their heads. This was the beginning of their collective affection for the new Ms. Shiono. The school for girls is a sacred place where the hearts of hundreds of innocent girls should ferment beautifully and freely for the day when they will become wives and mothers to come. How can we abandon them in such a state? Even after the nightmarish war was over, the nightmare remained at Shuei Girls' School.

1945 Japanese movie