Leon Narbey

A contemporary story of love, rejection, and triumph as a young Māori girl fights to fulfill a destiny her grandfather refuses to recognize.

The vampire myth is given a stylish 1960s treatment, where a human cop partners with a vampire cop to stop a vamp bent on creating a war between the two "separate but equal" races.

Hongi, a Maori chieftain’s teenage son, must avenge his father’s murder in order to bring peace and honour to the souls of his loved ones after his tribe is slaughtered through an act of treachery. Vastly outnumbered by a band of villains led by Wirepa, Hongi’s only hope is to pass through the feared and forbidden “Dead Lands” and forge an uneasy alliance with a mysterious warrior, a ruthless fighter who has ruled the area for years.

American tattoo artist Jake Sawyer wanders the world, exploring and exploiting ethnic themes in his tattoo designs. At a tattoo expo in Singapore, he gets his first glimpse at the exotic world of traditional Samoan tattoo (tatau), and, in a thoughtless act, unwittingly unleashes a powerful angry spirit. In his devastating journey into Pacific mysticism, Jake must find a way to save his new love, Sina and recover his own soul.

Billy (Cliff Curtis) is trying to organize the biggest celebration the town of Waimatua has even seen - the 75th Jubilee of their school. In doing this, feckless Billy is trying to redeem himself in the eyes of his family, especially his frustrated wife Pauline (Theresa Healey). However trouble arrives with the return of a local former All Blacks Captain, an old flame of Pauline's.

Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.

A matriarch organizes a feast with her family, in which she will name her successor. The heart has gone out of Nanna Maria's family. There are no parties — they don't even fight anymore...

Lucinda lives a fairytale life with dairy farmer Rob, and his 117 cows. But after a freak car accident she decides to test Rob's love for her by trying to make him angry. He passes her tests until a quilt goes missing from their bed and the price of getting it back is high.

A Polynesian street-kid and a much older middle-class housewife are both incarcerated in the same mental hospital - she for attempted suicide and he for habitual crime. A friendship grows between them such that she offers him a place to stay upon his release. However, difficulties arise with his continued criminal activities and dependence on her for support - then his gang moves in with them. The film is based upon Sue McCauley's award winning autobiographical novel.

In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki).

The Orator (O Le Tulafale) is a contemporary drama about courage, forgiveness and love. Small in stature and humble, Saili lives a simple life with his beloved wife and daughter in an isolated, traditional village in the islands of Samoa. Forced to protect his land and family, Saili must face his fears and seek the right to speak up for those he loves.

Ruby, an 83 year old trying to dodge a retirement home, rents a room to Rata, a solo mum with sidelines in music and benefit fraud. Rata's son is into arson and shoplifting, while Ruby's nephew is a hapless yuppie wannabe. Marginalised by the deregulated economy of the '80s and living on their wits, they may just find common cause despite themselves.

Richard, an astronomy-obsessed worrier spends his time fantasizing about outer-space and the cosmos, an activity which antagonizes friends and family. One day, he meets Johnny, a handsome Italian man, with an enormous appetite for life, whose idea of a holiday involves breaking into the nearest small holiday home. He offers him love and an escape from the monotony of work.

The zenith of Don McGlashan and Harry Sinclair's legendary Front Lawn collaborations, this iconic Kiwi short follows two men and one woman on a rainy night at a deserted bar. Pivoting on amnesia and woven together by music, two timeframes are seamlessly combined and a darkly humorous plot unfolds. The film had a wide international release (Ireland to Norway, Germany to the USA) and was a finalist in the inaugural American Film Festival.

The father of a deeply troubled household that endured tragedy both from without and within, seeks to reconcile with his youngest daughter by making a journey to both symbolically and culturally lay the family "ghosts" to rest.

In a town called Hope on the edge of Britain's empire, desperations clash: the beautiful Dorothea Brook is desperate to free her pregnant sister Rose from the clutches of Fraser, a fortune hunter. A local politician, William Poyner, is desperate for cash and thinks marriage to Dorothea will save him. Dorothea hires Lawrence Hayes, a rough but handsome Argonaut, to bribe Fraser with jewels and to marry Rose; Hayes desperately loves Dorothea and may marry Rose to stay close to her. But Dorothea has a lover, the ravishing Anne Cooper, who encourages the match with Poyser to give the lovers cover. Are these remedies, each desperate in its turn, going to make anyone happy?

Sam is a sound technician, who must literally walk in the footsteps of the characters on the screen. A "film within a film" that connects the world of modern film-making to the Paris of painter Toulouse-Lautrec and his model/lover Mireille.

A discontented wife is seduced by eels - the keepers of the land. The mystic encounter draws her into the eels’ realm.

GISELLE is acclaimed director Toa Fraser's inter­pretation of the Royal New Zealand Ballet's production of Giselle. The classic story of love, erotism and death has been reinterpreted by Fraser to include both the on stage performance of the ballet, and an off-stage romance – interwoven with the ballet – that tells of two itinerant dancers, separated by time, distance and their abiding love for each other.

Dean is threatening to firebomb his ex-girlfriend's wedding. Mickey is filling the garage with stolen goods - again, and pierced teenage daughter, Leesa, is an accident waiting to happen on the family's beloved Triumph motorbike. An unconventional tough family, battling to survive with humour and love, in a world of motor bikes, rock 'n' roll, classic cars and alcohol. This is a family that you probably would not want next door, but they are fun to watch, and they have their ways of holding family together.