Mirjana Vacić

Milorad is a young villager grown enough to marry, but his uncle Gvozden and grandpa Paun want to arrange him a marriage with Radmila, a girl from a wealthy family. He escapes to the big town, refusing to take part in it, but his adventure with a girl named Rozika ends up and he finds himself back in his village again.

After graduation, a young woman gets his first job in the women's prison in the province. The story follows her struggle to survive in a small town with her small child, alcohol addiction, and the battle with the prisoners and prison brutality and other schemers who wanted to remove her from working spot.

A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. "Don’t Believe in Monuments" is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.

An absurd depiction of the communist revolution in Yugoslavia after World War II, the film primarily follows a group of young partisans who are placed in the home of a pre-war bourgeois family. The family then tries to adapt to the new ideology and values, often leading to various absurd situations.

A group of children are harassed by a local bully. In order to stop him, they seek help of a retired boxer.

Two brothers return to their devastated home village after the end of the Second World War with nothing to their name but their army-issue machine guns. There they find a traumatised German, abandoned in retreat. Together, the three men act out a tragicomic tale.