Connie Martín

A widower and his daughter witness the retirement of a colleague of his and the closing of her department at her university.

Ariane lives with Simon in his large Paris flat. Simon is obsessed with her: he wants to know everything about her, secretly follows her when she goes out, asks questions all the time, even in the most intimate moments. Ariane seems to take it all in stride, but Simon realises that she's hiding something.

Jess is a bohemian youth with secrets to hide from his shrewd parents. James feels trapped living with his irritable mother. After meeting for a sexual encounter, the two young men set off on a spontaneous road trip across rural Argentina to reunite with Jess' estranged brother. On their journey, they confront strange occurrences and engage in a ménage à trois affair that brings them closer. Their newly found affection grows, all while discovering a fresh vision of freedom and happiness. JESS & JAMES is a sexually charged road-trip movie, a love story, and a coming-of-age tale, set against the mythical landscape of the Argentinian Pampas.

Joaco's infidelity breaks up the couple with Vanesa. Trying to maintain a friendly relationship is a possibility that Vanesa accepts because she cannot think without him. The acceptance of the separation will be a painful path but one of personal growth.

Eight years after the first installment, Ailén, Fernando, and Nina, meet again in the BAFICI competition. From that reunion, they decide to resume their unfinished project: Tandil/Tromso. They bring along two new collaborators: Martín and Nancy.

A serial killer with a taste for the theatrical is killing powerful judges and leaving their bodies surrounded with dead pigeons. Félix, a detective haunted by his past, is the only one who is able to solve this enigmatic case.

No description available.

Two twin sisters are making a birthday cake. Like a two headed creature, they appear to be a projection of one another. In the brief afternoon they spend together, they relive past conflicts and some shared fears that come back to haunt them.

Atahualpa Yupanqui established himself as a key figure of Latin American identity through travel. Archives, music and personal records of a transhumance aimed at deciphering the dialogue between people and their territory.

Pana is a popular world from Venezuelan slang that means many things: as a noun it refers to a friend, a good person; as an adjective, it’s a positive quality, someone nice, someone friendly and enjoyable. A coming-of-age story, the short My Pana is also a tale of immigration and exile, a portrait of a teenager adapting to a new society with the few tools he knows to survive: his youth, his body and, ultimately, his own resilience. Through the point of view of a teenager we’ll understand the hardships of million of Venezuelans abroad and the consequences of corruption, exile and the fractured soul of a person who was pushed to leave his true life to adapt to a hostile new place.

Sofía travels from La Plata to Los Toldos, her hometown. During her stay, Sofía will assist her father, who is in poor health, with the funeral work being done by Casa Coraggio, the family business. In the history of her ancestors, each one has had to take on this responsibility and continue a legacy that spans more than 120 years. Amidst an atmosphere of life and death, Sofía struggles between following tradition or choosing a new path.

A couple meets in a restaurant to sort out the future of their relationship, marked by mistrust. In this meeting, where both are trapped in a one-sided story, the inside will burst into the outside, breaking the fourth wall.

Juan has a gift he deeply hates: as a child, he suffered the death of a friend, which he predicted, and then saw his wife die. Because of this torment, he decides to isolate himself in a cabin in the woods. Now he repeatedly dreams of the death of Paula, whom he has yet to meet. One day, Paula and her husband show up at his door asking for help. Surprised to see her, Juan opens the door and a new dramatic story begins. Will his dreams come true? Will he be able to save Paula? Who will try to kill her?

Clara, a psychologist, and her husband Gustavo have been separated since the disappearance of their son, Lucas. A year after Lucas' disappearance, Gustavo finds on Facebook information about a girl, Augustina, who went missing just two days after Lucas. The broken couple go Augustina's parents in an attempt to find clues about their sons disappearance.

Raúl learns of the suicide of Marcela, his high school sweetheart. The shock plunges him into the memory of that winter of 1980 in Buenos Aires. The nostalgic memory of their story revives in the present, like a forgotten love wound that never healed.

No description available.

While his daughter Olivia plays alone, Garrik wonders about the existence of imaginary friends. A vague memory will initiate the search for Myu, his own invisible friend, for his forgotten childhood and for the clues to unveil the enigma of imagination, that mysterious ally of childhood.

Susana Rinaldi has earned a place of honor in the world of tango. Her love for literature and words led her first to the theater and then to tango and its poets. We travel through her life through archival images, while her voice guides us with readings of selected tangos and authors.