Damu King

Roots: The Next Generations is a television miniseries, introduced in 1979, continuing, from 1882 to the 1960s, the fictionalized story of the family of Alex Haley and their life in Henning, Lauderdale County, Tennessee, USA. This sequel to the 1977 miniseries is based on the last seven chapters of Haley's novel entitled Roots: The Saga of an American Family plus additional material by Haley. Roots: The Next Generations was produced with a budget of $16.6 million, nearly three times as large as that of the original.

Cool Black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

A young man is torn between following in his brothers' footsteps or striking out on his own.

At his wedding Claude Sams has an argument with his son about his life-style; in anger Paul leaves. Together with a friend he sets out for Vegas to search a job. While changing a tire on the highway, he's killed by a passing truck. The police believes it's been an accident, but Claude doesn't accept this and frantically searches for a yellow truck and it's crazy driver at all truck stations.

In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.

Girl leaves Gary, Indiana, to become a star in Hollywood.

Disillusioned Vietnam veteran Lloyd Dubeck travels back to Southeast Asia in search among thousands of war orphans for the son he left behind.

An aspiring dancer and her two wicked sisters resent their mother's love for a foster daughter.

A Black hit man poses as a Baptist preacher in a ghetto church. He decides to take over the local rackets.

Some ex-convicts who have recently gotten out of prison plan a series of highly organized robberies of some Las Vegas casinos.

The heroes in The Black Godfather are members of an African-American criminal organization. Like Brando in The Godfather, they're not averse to robbery and murder, but they do draw the line at narcotics. When the Mafia infiltrates the 'hood with dangerous drugs, the Black Godfather (Rod Perry) orders his minions to put an end to this perfidy.