Klych Lopez

A seemingly perfect household unravels when an unexpected visitor arrives, exposing hidden tensions and political aspirations that threaten to tear the family apart.

When a birthday party takes a tragic turn, its ripples shatter a close-knit community — tearing families, friendships and hearts apart.

Persuaded by promises of a better life, three young women are sold into prostitution and must risk their lives and their families to escape.

The economy is not doing well and in a few months Lucia will lose the mortgaged house where she lives with her two children, Mr. Carlos the owner of the Second-hand store, Sergio, Clown by day, waiter by night, and his wife Victoria. Julieta, the youngest child, is the family's salvation. She just graduated from law school when, on the morning of November 6, 1985, she leaves for her job at the Palace of Justice and never returns. There are witnesses that claim to have seen her alive after the Palace burned down after the Guerilla attack, the habitants lives of the house won't be the same. Based on true events and on a play in Colombia, 1985.

Laura eventually works for a group of obscure characters with whom she must settle an outstanding account, her activity is to leave some recorded messages to some numbers that they dial, the situation becomes complicated when she arrives home and finds that one of the messages that caused her great impact by recording it, was directly to her partner.

Covering news of impact in Bogotá has become a personal race between Roco and Matías, two contemporary journalists who are reaching their fifties, determined to be the first to get red notices for their editors. 30 years dedicated to competing for the most macabre news, they are driven to cross paths through death, in a desolate and hostile city that offers them no shelter or company.

No description available.

After time, what remains in the journey of a relationship that is on its way to its end? A final conversation will always be missing while crossing the tunnel before reaching the end.