Catherine Libert

An empress commissions a painting of herself from a French outsider in hopes of stirring her husband's interest in this lavish period piece. The Lady in the Portrait is a period yarn evoking the unique rapport between a French missionary and the Manchurian Empress whose portrait he's ordered to paint.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Axèle is a photographer, Camille is a writer. They have been awarded an arts residency at the Villa Medicis in Rome. Camille is accompanied by her husband, the famous writer Marc Landré. When a strange rivalry takes shape between them, Camille bonds with Axèle. But who is Axèle really ? A total artist, who never compromises and confuses herself with her oeuvre ? Or a ghost ? This year at the Villa Medici, where bodies and souls free themselves, no one will come out unscathed.

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.

A young woman wanders down an endless corridor, while other people knock at a door at night. A man takes a picture of Montmartre, two women hand him some money, while a patron manages from rue de Mhyra a network of Italian call girls. Adiba sings an ancient Moroccan song in a room full of children, while Vidya is performing her daily puja in Pune (India). Giuli sings to herself as she drives at night through Turin and runs to the station at day. Parallel stories where every character is caught “in a situation,” closed.

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A portrait of Sonja, adventurer of the twentieth century, living on an island that she built by herself: Motu Maeva.

Filmed by Gazans, this film documents the destruction, suffering and resistance of the displaced. Poems by Refaat Alareer, assassinated in Gaza on December 7, 2023, accompany this chronicle of an ongoing genocide.