Editing
A young man aspires to rise through the ranks of Rio's gambling underworld — unaware of the dangerous game of betrayal, lust and blood that awaits him.
Develops from the life, work and memory of Gianfrancesco Guarnieri, one of the most important names in the history of Brazilian theater, to examine the courses of dramaturgy and politics in the last decades. Guarnieri, besides being a TV star, was also seen as the synthesis of the politically engaged artist in Brazil. His sons, also actors, saw a separation between art, work, and politics. As he investigates the portraits of two generations, grandson and director Francisco aims to understand the place of his own generation in history, in art and the world as a whole.
No description available.
Rânia is a teenage girl who lives on Santa Teresinha hill in the city of Fortaleza. Her busy days are also occupied by the dream of being a dancer. Rânia's best friend, Zizi, introduces her to 'Sereia da Noite', a local joint where fun, dance, money and sex rock the night. When Rânia meets the choreographer Estela, she will be torn between the possibility to make money in the nightclub and the will to become a "real dancer".
A film crew travels to inner Brazil in search of the best “piadeiro” —amateur comedian— of the region. We meet these characters on the streets, squares and inside bars, while they are displaying their sense of humor. Beyond being interesting characters, they have the knack of making people laugh. In this film, they each have their 15 minutes of fame —or maybe more.
One day, Eduardo arrives at his house and discovers that Julia, his wife, tried to commit suicide. She left her husband and two children without saying goodbye. After some time, she comes back home. He tries everything to set her straight, but the impossibility of knowing her fully grieves him. The shadow of the suicide and the inevitable ghost of a new chance hover over their heads. Eduardo insists on understanding his wife, but an increasing jealousy and an unexpected discovery of her past torture him. He does not realize that, most of the time, the search for control easily becomes an obsession.
Hello, I am a German Shepherd. Thanks to my formidable learning ability, loyalty and versatility, I am responsible for ensuring the safety of this flock. Unfortunately, today I am not bringing you good news.
The year is 1984. Estela is going through the turbulent phase of adolescence. Sex, lovers, friendships; everything seems very complicated. Her uncle Carlos is her hero, and visiting him in California is her biggest dream. But everything collapses when he returns thin, weak and ill. Between crises and discoveries, Estela will face a reality that will forever change her way of seeing the world.
José Henrique Fonseca crafts an ambitious and long overdue homage to a central icon in Brazil’s 20th century history. Reminiscent of film noir classics, the biopic tells the glorious and tragic story of the legendary football striker Heleno de Freitas. The sumptuous black and white cinematography reflects the chic life of Rio de Janeiro in the 1940s as it fell under the spell of sports royalty. Heleno was no doubt one of the most popular players of his time for his bravura in the field and magnificent goal-scoring that lead the Botafogo team to the top and himself into a vicious downward spiral.
After losing his job and the end of his marriage, Júnior returns to his father's house. But that is not his childhood house anymore. His old room has been rented by a young woman and the place feels unwelcome and oppressive. Júnior develops and obsession for his family history, as strange things start happening in the house.
A thriller set in São Paulo Brazil, about a private security agent who starts to dream of his teeth falling. Somehow those dreams might be related to a string of mysterious deaths around him. Tormented by his dreams he sets on a journey to investigate, his life, his memory and his subconscious.
2064. Cora, a Danish woman, finds an unfinished documentary in which Benjamim, her Brazilian father, attempted - fifty years earlier - to investigate the story of his own parents: Teo, who, afflicted by insanity, died when he was still a child, and Elenir, a mysterious woman he’d barely heard of. In the course of his investigation, Benjamim discovers that both characters are part of a complex family puzzle, filled with traumas and taboos, and starts seeing himself as an important piece in the puzzle. The footage found in Benjamim’s documentary is reorganized by his daughter, Cora, in an attempt to understand her family’s lost past.
