Iraia Elias

A young agent leaves everything behind to pose as a member of ETA, risking her life to uncover the terrorists' hideouts in the south of France.

Inspector Nerea Garcia is sent to a small fishing village to investigate the disappearance of a skipper. She will soon realize that it is not a routine case and that nothing is what it seems. The past is always unpredictable.

The story of a family; the story of a conflict. The rural and the urban, the past and the present, parents and their offspring: opposing ways of life struggle against one another whilst, in eloquent silence, the grandmother ('amama') watches her family’s destiny unfold.

Khalil is a young man torn from his roots who lives on the edge of town, where the industrial estates merge into the river and the marshes. Khalil gets by as best he can and spends his time with an old poacher, who shares a house on the riverbank with a brother he hasn't spoken to in years. On the banks of the marshes, the tides mark the time of love and heartbreak, of friendship and revenge.

Zazu, a teenager in the midst of discovering their identity, must choose whether to take part in their village’s traditional celebration by assuming a predetermined role, or stay true to what they feel.

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When knowing her father has been hospitalized, Nora (20) returns home. Once there, the reality of what has happened will end up overrunning everything distorting the family relations.

The elderly Amaia has Alzheimer's and can no longer recognize Nerea, her own daughter. From her point of view, reality is distorted, and being in a confined space makes the relationship between mother and daughter unbearable.

Malik is the only black boy in school and gets bullied by his fellow classmates.

Past years full of resentment, unhealed wounds and unrequited affection. With covid-19 and lockdown as the enemy at the doors, María Luisa and Mai, mother and daughter, will spend a whole night together.