Vanna Blondelle

Nearing the end of WWII, Nazis realize that their defeat is imminent, so a handful of them board a plane bound for Argentina, where they plan to live in hiding. During the flight, lightning hits the plane and the SS parachute onto an island populated by savages. Atrocities await.

A beautiful woman who is confined to a wheelchair places her house for sale, but a man who lets himself in has no intention of purchasing her property.

Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.

In this society, puppets and humans live in harmony, but that is polite fiction. Iconoclastic director, Bill Zebub, set out to make an absurd movie that hid wisdom in foolishness. Erin Brown, also known as Misty Mundae in some circles, stars alongside Lydia Lael in a strange film that you can enjoy without trying to delve deeper into the meaning. There is no correct interpretation. This is art, and as such, the experience is what you decide that it is.

A woman in a wheelchair suddenly finds herself dealing with an intruder. As the villain escalates his depraved behavior, the woman misses one cue after another for getting out of the situation. She is crippled in more ways than one.