Baron Achmadi

A man, convinced that money and power can secure love, flees into the woods after attempting to rape his ex-girlfriend. He encounters the Snake Queen, who promises him immense wealth in exchange for his servitude.

A white alligator lives in a big river in a village. It drags Kadir’s daughter, Juleha, and drowns her. Thanks to Komar the alligator tamer, Juleha is found alive. Apparently, the alligator is an incarnation of Jafar, a friend of Komar. (filmindonesia.or.id)

A realtor builds a luxury house in the countryside where the ancient graves of a family murdered in a robbery in 1941 are located. The house is later discovered by Mrs. Siska who inhabited it together with her daughter and niece. From the beginning, all the inhabitants of the house are haunted by satanic forces. One night, Mrs. Siska has gone out, her daughter and niece invite her friends. As directed by Satan's hand, terrible things happen - torture and death. No one is safe anymore of their life.

Lembong, a robber, raises Ken Arok in a dark world after finding him in a cemetery as a baby. Due to his outrageous behaviour, Ken Arok is expelled and has to live with Bango Samparan. Even this does not last long, when the wife of Samparan takes a dislike to him. Then Ken Arok also becomes a fugitive of the Emperor since he often plunders royal tributes. One day, he meets a priest, Loh Gawe, who provides him with skills of leadership. Meanwhile, the Regent of Tumapel, Tunggul Ametung, kidnaps Ken Dedes to make her his wife. Then Ken Arok is recruited as a soldier of Tumapel. Inside the palace, he sees Ken Dedes and immediately falls in love. The bad intention to kill Tunggul Ametung comes to his mind. Since Loh Gawe does not agree with his intention, Ken Arok gets an approval from his adoptive father, Bango Samparan. Shortly after, he orders a keris (a wavy knife) from Empu Gandring, a famous blade smith.

Dono, Kasino and Indro (the Warkop Trio) live in a boarding house. Amusement starts when the flat owner, Aunt Sarah, goes on a date. Dono installs a microphone so that the conversation between Aunt Sarah and her date can be heard in every room. As a result, Aunt Sarah starts fighting with the three friends. Then Erna, Aunt Sarah’s niece, arrives for a visit. The three friends compete to attract her heart. One day, the three friends are invited to go with Erna to a nightclub. Inside they meet Aunt Sarah. To avoid conflict, the three friends disguise as women.

In this comedy, Dono, Kasino and Indro go hunting. Dono passes out during the hunt and is looked after by a local chief, whose daughter, Dono falls for. Soon after, he discovers the girl’s character, and runs away. He gets into another accident and is hospitalised. Then Dono falls in love with his nurse, Susy. But Indro also falls for Susy, but in the end, none of them wins her heart.

Dono, Kasino, and Indro (played by the Warkop Trio) are hired as puppet ballet dancers. Their jokes and fighting stunts, delight the audience. But soon after, Gozal, a real estate businessman acquires the land, where the puppet ballet building sits on. The dispute over the land and its certificate becomes the film’s satire. Finally, Dono and friends challenge the champions of Gozal to a boxing match.

A poor man who's mistreated, about to be evicted (along with his mother) and beaten and left for dead by his landlord and his goons, finds a possible remedy for his problems in a "Whip of Fire" family heirloom.

A melodramatic suffer-fest that would give Lars von Trier pause. On a quest to find her biological father, teenager Yeni is sidetracked when she's raped by her stepfather and ends up in a nuthouse. After she's released, her prostitute sister takes her to work at a brothel. There, she becomes second wife to an old, miserable man until her stepfather returns and tries to lay claim on her. After unsuccessfully trying to strangle Yeni to death, he and Yeni's mother get in a fight and end up stabbing each other to death. Once Yeni finds out she's pregnant, she's then rejected by her miserly husband, who denies the child is his.

A desperate young woman whose mother is terminally ill is forced to go to work in a beauty salon cum brothel until her angry friend loses it and goes on a rampage.

Samboja, a thug who controls an area, catches Ceking and his friends who are trying to rape two girls, Dyah Setiowati and Marlina. Samboja tries to help and is stabbed. Samboja is thought to be the rapist and is arrested. One of the victims, Dyah Setiowati, defends him to the police and he is released. But this incident makes him an enemy of the drug syndicate, who the rapist Ceking works for. Although his friend, Leo, who also works for the syndicate, defends him, the drug boss orders his men to kill Samboja. Dyah, the daughter of a cultural attaché, sympathises with him, especially when she finds out that he visits the daughter of Astri, the prostitute, in the orphanage.

Set in 1896, "Tjoet Nja' Dhien" celebrates one of Indonesia's great heroes who fought for independence from the Dutch. The pious Muslim people of Aceh, a city that had flourished since ancient times as a trade port, enter into a fierce war with the Dutch. Tjoet Nja' Dhien, the widow of a rebel leader operating in Aceh in Sumatra, assumes the leadership when her husband Teuku Uma is killed in an ambush. Dhien's charismatic presence and power of survival motivate the locals to join and later continue their opposition to the Dutch. Despite personal obstacles, she remained in the thick of the struggle for ten years.

Ki Ageng Mangir Wanabaya (Teddy Purba), the grandson of the Brawijaya King family, tries to restore the glory of Majapahit using the magical power of the Baru Klinting heirloom spear.

Basically a courtroom drama, Sumi is arrested and brought for a trial after her husband, Aditya’s penis is stabbed and he is rendered dysfunctional. Sumi is suffering in her marriage because of her husband's illness. She doesn’t leave him for the sake of her children. However, when she finds that her husband is having an affair with Lena, she loses her patience. She plans to kill her husband while he is sleeping, but the plan fails. Instead of actually killing him, she accidentally stabs him in the penis. At the end of the trial, their second baby dies, and it creates a lifetime of regret.

As a result of the civil war in Majapahit, the Queen Mother fled to Ampel escorted by Mahesa Kicak. There happened to be gathered saints. The Queen Mother asked those who still have close links with the Majapahit, can restore the honor of Majapahit. Sunan Ampel explained, that padepokannya built just to spread Islam.

Rhoma is too preoccupied with his music, which makes his wife, Ani, feel neglected. Then Ani falls ill and suffers from blindness. Concerned for his wife’s condition, Rhoma leaves his music and starts to look after livestock in the village instead. Pursuing a business that he knows little about is difficult. Then other farmers dislike the competition he represents that leads to disputes and fights. Finally, Rhoma decides to return to the music world.

For this sequel to the unexpectedly successful Ratapan Anak Tiri (Lament of a Stepchild), Susy is bullied by her stepmother, who is her father’s third wife. However, her stepsister Umi, who is the biological daughter of her stepmother, always defends her. Reno, her schoolmate, loves Susy but it is not mutual. On one occasion when he eats at her place and makes the floor dirty, Susy is thrown out of the house, when her stepmother slips, knocks her head and is unconscious. Umi joins Susy and they stay over at a friend’s house. Umi misses her father, so both girls separate. The stepmother, who is looking for Umi, comes across Susy on the streets and verbally abuses her. Susy now dares to fight back and challenges her.

Tomo (Robin Panjaitan) will marry Ririn (Maya Kurnia). In preparation Tomo deposited on Asmuni who married Kristin (Kristine E. Weitz). Unfortunately, Tomo actually play affair with Kristin, and make the family broke up.

Brama Kumbara (Denny Porlen) is preparing for eternity through an ascetic cleansing. Meanwhile, the Madangkara Kingdom has been handed over to his daughter, Wanapati (Agus Kuncoro). The people of Kuntala, who have greeted this news with delight, prepare to take revenge on Madangkara, where the ambitions of the young merchants and the instigation of riots are splitting the kingdom apart. The forces still faithful to Brama come to ask him for advice.