Acting
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
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Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.
Wolffs Revier is a German television series.
Lasko – Die Faust Gottes is a German action television series, an RTL co-production with ORF. First aired on 18 June 2009, it is set in a monastery and involves martial arts. Fifteen 45 minute episodes have been produced as of October 2011 in two series. The series was shot in the Naumburg an der Saale area, Pforta, Schloss Neuenburg and Königstein Fortress.
The story revolves around Dominik Liebmann: a man who has lost everything: His wife, son, job, house - even his pride. Financially and emotionally bankrupt he enters Berlins first and only "Männerhaus": a shelter for battered men. He meets Holger the director of the house and its members. After a psychiatric examination by the youth welfare office he has to participate in the Group Therapy Session of the "Männerhaus" in order to get custody for his son Dylan. After an initial resistance Dominik decides to participate and so the other members of the "Männerhaus" learn about Dominiks past... Director Philipp Müller-Dorn takes a daring and provocative look inside the world that very few men, out of embarrassment or retaliation, speak of: domestic abuse by their partner. In the dramatic film eMANcipation, ...
Nils Lovelorn, blessed with a present ego and a "second self" in the form of a well-rounded super blonde called Bebe, is sent back in time by time machine. There he is to blow out the lights of a pharaoh who, 3000 years later, threatens the world with destruction as a demon. Unfortunately, his feminine second half occasionally gains the upper hand and, to make matters worse, falls in love with the blood-sucking, evil pharaoh.
The 13 days from April 20th to May 2nd, 1945, are unique in the history of Germany: They are the final act in the history of the Third Reich, which was supposed to last for a thousand years and succumbed after twelve in an orgy of violence and fire. In the catacombs of his bunker under the Reich Chancellery in the capital city of Berlin, which Adolf Hitler wanted to make the centre of the world, the dictator operates with ghost divisions during the final days of the war. Only in the final moment, he takes his own life. Meanwhile, On the streets, in the ruins, and the basements of the destroyed city, the final battle wages on: Adolescents are sacrificed without purpose, women get raped, loyal party comrades commit suicide in the thousands, Jews who were in hiding for years hope for the liberation.
Fall 1989: Jan is almost 16. Caught while trying to escape to West Germany, he is transferred from prison to a juvenile detention center. Here, he meets Jana ... and what starts as a bet, becomes true love. When Jana gets pregnant, the situation spirals out of control. In the summer of 1990, Jana and Jan flee into the unknown, insecure future of a new Germany.
Mux spent many years in a coma in a clinic with a constant stream of television. But at least he survived a serious car accident! Now he has woken up, and he has a plan: during his time in hospital, he came up with the idea of a fairer society. From now on, Mux sees it as his task to save the world from neoliberalism and goes to France, the motherland of revolutions, with his long-term nurse Karsten and a self-written manifesto.
A group of young people draws straws to see who'll steal some cigarettes. With this theft, Sebastian starts a bizarre, symbolic odyssey through a sclerotic world, in search of himself and of truth and justice. When he tries withdrawing from one social paradigm, he finds himself caught in another.
