Alán González

A group of male adolescents are recruited by their parents into a bootcamp to be forged into hustlers, players, “tigueres”. This archetype is the highest idealization of the male character in Dominican and Caribbean culture. Alberto is the head coach of this camp who decides that Pablo’s time has come to join the group. But Pablo, his son, is a Tiguere in his own right, unbeknownst to Alberto, whose coming-of-age process clashes with his father’s authoritarian views. This leads Pablo on a journey of self-discovery.

A pandemic that seemingly stops everything does not stop the human spirit. The six stories told in this film show that feelings like love, hate, sadness, loneliness, fear and hope bring out the best and worst in us in extreme circumstances. No illness, physical or soul, will prevent the confluence between people and their stories.

Tired of nursing her husband through his terminal illness, 65-year-old Sonia, a retired teacher, decides to resume giving classes at her Havana home.

Yolanda, a Cuban woman, goes from dancing her heart out at a house party to running against the clock to find her son and skip town once a video circulates from that gathering that seems to incriminate her.

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Pandora, a 40-year-old transgender woman living in a residential neighbourhood in Havana, rejects Roy, the teenager who tries to win her over. While caring for a neighbour’s child, she gets an unpleasant surprise that makes her consider whether or not to give Roy a chance.

A young woman is robbed in the poor neighborhoods of Havana where she lives. Although she knows who the thief is, she remains silent.