Sue Galloway

Liz Lemon, the head writer for a late-night TV variety show in New York, tries to juggle all the egos around her while chasing her own dream.

Two disconnected sisters are summoned to clean out their childhood bedrooms before their parents sell their family home.

In a one-time special event featuring all the beloved characters from the original series, Liz Lemon and Jack Donaghy reunite the TGS team to help Kenneth Parcell with an advertiser presentation.

Four characters, four screens. The audience immersed, as stupefied as in a shopping mall electronics shop. Your attention flickers, trying to take it all in, not miss crucial details. The work seems unlimited in all directions, and it’s dazzlingly overwhelming. But you adjust to the overload. You realize the sound design is gently guiding your attention from screen to screen. You can make your own interpretations, even your own edit, your own film. So you discover moments that seem like outtakes: delightfully unexpected, notable non-incidents in the character’s lives that would usually be off-screen. But here, there is no off-screen.

A gay man living in Brooklyn finds himself in a culture of moral superiority, unable to stop fighting with strangers, friends, family, and loved ones.